What did you compose at Waters Edge?

**John Brady** · 7-Jul-2012, 08:05

Thanks all! I shoot digital alongside my 8x10, but there is still so much about film that can't be beat. I have recently started shooting Ektar color negative film. Prior to this it has mainly been Velvia 50 for color or t-max 100 for b&w. I wish I would have discovered this film earlier. Very difficult to overexposed and super fine grain.

**dsim** · 7-Jul-2012, 12:04

Outstanding image John. At f/45 did the Super Angulon 90xl cover the format fully?

**John Brady** · 7-Jul-2012, 12:30

Originally Posted by dsim

Outstanding image John. At f/45 did the Super Angulon 90xl cover the format fully?

Not at f45, it requires a little cropping in, but this lens is so sharp and the wide effect so extreme that for me, it's worth it.
Even though the aperture scale stops at f45, you can move past it and further stop down to about f64, then it pretty much covers it.

www.timeandlight.com

**dsim** · 7-Jul-2012, 15:04

Thank you for the info John and again, a very engaging image.

**Michael Przybyla** · 7-Jul-2012, 15:14

Stickney Brook, VT. 5X7 contact print HP5 PyrocatHD.

**MMELVIS** · 8-Jul-2012, 07:31

Originally Posted by John Brady

8x10 Ektar 100 rated at 50, Ebony 810slw, Super Angulon 90xl, 1 sec at f45

www.timeandlight.com
http://www.facebook.com/EvergladesGallery

The Everglades have never looked any better

**Robbie Bedell** · 8-Jul-2012, 19:44

My childhood boat 30+ years later and 1,500 miles from it's L.I., NY, home taken in Florida the late 1980s with a Linhof Technika IV and 135mm Xenar on Kodak Chromogenic XP1 film, Robbie PS: sadly the boat no longer exists...

http://robbiebedell.photoshelter.com