Oops- I looked again at this film after reading Lon's post- It was actually on Provia. Hence the blue cast. I don't actually have a landscape I shot on the 100f- they're all still-lifes.
Tim
Oops- I looked again at this film after reading Lon's post- It was actually on Provia. Hence the blue cast. I don't actually have a landscape I shot on the 100f- they're all still-lifes.
Tim
I prefer the 100f. Not because I don't like the 100, but I've always got some 50 with me, and I think the 50 and 100 are pretty similiar films. Too similiar for me to carry both.
I take the 100f along because it has MUCH better skin tones, slightly better latitude, and still keeps those crazy blue velvia skies.
I dont like any of them.
Velvia sucks at shadows and the colors are way over done.
Ektachrome 64 is such a superior emulsion its not even funny. I shot a roll of 120 the other day and the colors are rich but not overdone, the highlights jump off the lightbox if u hit a 1/3 or so under and it has an amazing super detailed full range.
Ektachrome 64 x wishes and Tech Pan Dreams
Velvia doesn't "suck at shadows", you just have to know how to shoot within its limited dynamic range. It is absolutely fantastic for product/food work, when appropriate, for instance - at least I think so.
I am not a fan of Ektachrome, but I don't think either is superior - they are just different, as are other people's styles of photography...
I used Velvia 100f on a 3 week trek in Nepal's Everest area and was very pleased with the results. Some of these can be seen in my mountainset on www.flickr.com/photos/asialover
I tried Velvia 50 before in the Himalayas but because of the very high contrast situations the results were not always that good.
I shoot 100 at at 80 iso. It seems a little more punchy and colourful than 100f, which i also used for a few years, but a little less forgiving in the dark shadows.
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