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Thread: Large Format Landscapes

  1. #8461
    Nana Sousa Dias's Avatar
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    May 2008
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    Ericeira, Portugal
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    Re: Large Format Landscapes

    Quote Originally Posted by Harley Goldman View Post
    First Light at the Bristlecones

    Not long after I got my first 4x5 in 2003, I took it up to the White Mountains. I camped at Grand View campground and got up in the dark. I drove fast up to the Patriarch Grove. Fast smooths out the bumps, but that morning it cost me a new tire (that road has now gifted me with two flat tires). I did get up there just in time for first light and it was very warm light, filtering through some haze on the eastern horizon.

    I recently reorganized the galleries on my website and, having seen them anew, have been reworking and occasionally re-scanning some images. I rescanned this one this morning.

    The film was the original Velvia 50. I sure miss that film. The newer stuff isn't bad, but the original did not have the color casts of the newer stuff. This presentation is pretty much how the chrome looks on the light table.

    Wista DXII
    Nikkor 210

    Beautifull!!!!

  2. #8462
    Nana Sousa Dias's Avatar
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    Re: Large Format Landscapes

    Quote Originally Posted by Jim Becia View Post
    First of all, great images Nana. I was hoping someone else would post some images after yours because that is a hard act to follow. Your use of a wide angle is something I admire along with perfect compositions and wonderful tonal range.

    So, here are a few images taken on a recent trip to the southwest. As you will notice this group of images is of Factory Butte near Hanksville, Utah. I have been stopping by this feature for years and generally have had little luck. This past winter I finally had some nice light and clouds. On two consecutive mornings, the light and clouds just kept on changing. So here are a few of the shots from the two mornings. All taken on an ebony 8x10 using Fuji Provia or Velvia.
    Thanks, Jim

    All those 4 images of yours are stunning. My favourite is the last one!

  3. #8463
    Nana Sousa Dias's Avatar
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    Re: Large Format Landscapes

    Quote Originally Posted by alexn View Post
    Sunset light is still light Stone.. Light is the only thing that lights things.. Otherwise they are dark :P haha

    Beautiful image Harley... Stunning.

    Heres one of mine I made a couple of days ago...

    Chamonix 045N-2 + 90/8
    Fomapan 100
    1/4s @ f/22 - Orange filter.
    Dev: Rodinal 1:50 - 6min 45sec @ 23°c (rotary)
    Toned in PS.
    Attachment 113064
    Beuatifull! The 1/4s was "dans la mouche"!

  4. #8464

    Join Date
    Dec 2012
    Location
    Spain
    Posts
    113

    Re: Large Format Landscapes

    Quote Originally Posted by Harley Goldman View Post
    First Light at the Bristlecones

    Not long after I got my first 4x5 in 2003, I took it up to the White Mountains. I camped at Grand View campground and got up in the dark. I drove fast up to the Patriarch Grove. Fast smooths out the bumps, but that morning it cost me a new tire (that road has now gifted me with two flat tires). I did get up there just in time for first light and it was very warm light, filtering through some haze on the eastern horizon.

    I recently reorganized the galleries on my website and, having seen them anew, have been reworking and occasionally re-scanning some images. I rescanned this one this morning.

    The film was the original Velvia 50. I sure miss that film. The newer stuff isn't bad, but the original did not have the color casts of the newer stuff. This presentation is pretty much how the chrome looks on the light table.

    Wista DXII
    Nikkor 210

    I haven't words for that...
    Stunning!

  5. #8465

    Join Date
    Dec 2012
    Location
    Spain
    Posts
    113

    Re: Large Format Landscapes

    Quote Originally Posted by Nana Sousa Dias View Post



    Congratulations Nana!

    I'm seeing greats copies and amazing format.

    Saludos.

  6. #8466
    Landscape Addict
    Join Date
    Nov 2011
    Location
    Brisbane, Australia
    Posts
    434

    Re: Large Format Landscapes

    Quote Originally Posted by Nana Sousa Dias View Post
    Beuatifull! The 1/4s was "dans la mouche"!
    Thanks for your comment Nana - 1/4s was just enough.. when I metered the scene I originally decided on 1/8s as my exposure but while watching the waves and duration of the run-off, I decided I needed slightly longer. I considered using f/32 to get to 1/4s but decided to just overexpose by a stop and contract the development instead... I'm glad I did.. the sharpness in the foreground rocks would have been slightly softened at f/32...
    Chamonix 045N-2 - 65/5.6 - 90/8 - 210/5.6 - Fomapan 100 & T-Max 100 in Rodinal
    Alexartphotography

  7. #8467

    Join Date
    Oct 2003
    Location
    Santa Barbara
    Posts
    1,266

    Re: Large Format Landscapes

    Mountain Dew

    I don't think I posted this one. It is an image of the grasses along the shore of the Merced river in Yosemite. Preston Birdwell and I were wandering around the river bed last fall, as the river was quite low.

    Chamonix 4x5, Fujinon 240, Velvia 50



  8. #8468

    Join Date
    Feb 2013
    Location
    Florida
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    282

    Re: Large Format Landscapes

    Cedar Key
    Toyo 45a II
    Nikkor 90SW f/8
    Kodak Ektar 100
    F/22 1 second

  9. #8469
    Mohammad Reza Alvandi ALVANDI Camera's Avatar
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    Jan 2012
    Location
    Iran
    Posts
    316

    Re: Large Format Landscapes

    Quote Originally Posted by Deval View Post
    Cedar Key
    Toyo 45a II
    Nikkor 90SW f/8
    Kodak Ektar 100
    F/22 1 second
    Interesting, nice

  10. #8470

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    Mar 2013
    Location
    North Carolina
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    30

    Re: Large Format Landscapes

    Quote Originally Posted by Harley Goldman View Post
    Mountain Dew

    I don't think I posted this one. It is an image of the grasses along the shore of the Merced river in Yosemite. Preston Birdwell and I were wandering around the river bed last fall, as the river was quite low.

    Chamonix 4x5, Fujinon 240, Velvia 50


    This is an example of one of those compositions that are easy to walk by and miss. I love the execution of this and think the color of Velvia 50 really brings this to life! Excellent work!

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