Ditto
Ditto
Regards
Marty
I am glad you like these photos and I hesitate if these 2 photos should be published in this forum because they are taken by Horseman FA45 camera and my films are used up 6*9 film back. I don’t know if these photo comply with the standard Large Format Photography. The film is PROVIA RDP3 100F and the lens is topcon 90mm/f5.6. The photos are only decolourized and adjusted the contrast, no more other processes. This simple process can not get rid of the dust. I am surprised the effect after decolourized.
Haha
I specifically had a discussion about desaturation because I wanted to take a chrome images and make it B&W and was told that was not allowed because it would be done digitally, I would have to get some direct positive B&W paper and then print the chrome onto that, in order for it to be allowed.
And TECHNICALLY scanning is allowed only if it represents the print, so you first have to have a traditionally created optical print and make sure the scan matched the print as well as possible. THAT rule I (and many others) break.
Anyway that's why I come here, to get out of the extreme insanity of restriction and find the extreme insanity of large sheets of film
Incidentally, I have had some very pleasant results with making negatives (enlarger or contact) from transparancies, then making B&W prints. You can even apply color filters in the making of the internegative.
Science is what we understand well enough to explain to a computer. Art is everything else we do.
--A=B by Petkovšek et. al.
Cânion Fortaleza, Rio Grande do Sul State (southern Brasil)
Ilford Delta 100 4x5
Rodenstock 150mm f/5.6 Sironar N
Cânion Fortaleza by Victor Oliveira Eskinazi, on Flickr
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