safe haven for tiny formats

[austin granger]

The Safari Club, Estacada, Oregon


http://www.flickr.com/photos/austingranger/

[ScottPhotoCo]

A few from a recent shoot:

Hassey + 150mm:

©2014 Scott Photo Co. by ScottPhoto.co, on Flickr


©2014 Scott Photo Co. by ScottPhoto.co, on Flickr

P67 + 105mm:

©2014 Scott Photo Co. by ScottPhoto.co, on Flickr


©2014 Scott Photo Co. by ScottPhoto.co, on Flickr

[Ari]

Nice work, Tim.
I don't know if it's the lighting, but I really like the look of the P67 shots more than the Hassy's look.

[tuco]

My vote is for the 105mm shots too.

One from my Zeiss CF T* 150/4 lens. These guys wanted to look bad-ass but I didn't do a very good job. I was mostly shooting with my digital camera but did get a few shots on film to finish a roll off.

100TMX


We-Be Bad by yo_tuco, on Flickr

[Andrew O'Neill]

The dude on the right looks more scared than scary. Reminds me of the suburban gangsta wannabe's here.

[tuco]

... Reminds me of the suburban gangsta wannabe's here.

Exactly!

[ScottPhotoCo]

Nice work, Tim.
I don't know if it's the lighting, but I really like the look of the P67 shots more than the Hassy's look.

My vote is for the 105mm shots too.

Thanks guys! I quite agree. I pushed the Tri-X to 800 in the P67 shots as well and I really like the tones. All processed in XTOL 1:1.

[Roger Cole]

A few pictures from a prescribed burn area. Pretty much the only time I like the pine trees...when they are burnt.

Nikon F2, 2.1cm f/4 or 5cm f/2 pre-AI lenses, and Agfa Optima 100 or Portra 160:









As a side note, I bought three 100' bulk cartridges of this Optima for about $30 apiece, expired of course. It seems to me to have color saturation and look close to Portra, with maybe a tad more grain, but with slightly better tolerance of overexposure (I have struggled with the new Portra and blowing highlights, compared to using old Portra NC/VC). Damn nice stuff, and a steal at about $1.25 per bulk-loaded roll.

I really liked the old Optima film. I think I have a few rolls left in a box of 120 film I bought, supposedly frozen since new and definitely since I got it. The one roll I shot was fine. I used to shoot it in 4x5.

The old Agfa Ultra 50 was like a negative version of Velvia, maybe MORE saturated. Amazing stuff when you needed that. And there is NOTHING on today's market like the old Agfa Portrait 160 - soft muted pastel palette.

Sigh.

[goamules]

Half-frame Pen-FV with 38mm/2.8 on Fuji 200.

[tuco]

The Skull

Skull by yo_tuco, on Flickr