The window I needed to stay open for this shot:
http://www.flickr.com/photos/zboumee...7627814468368/
The window I needed to stay open for this shot:
http://www.flickr.com/photos/zboumee...7627814468368/
My website Flickr
"There is little or no ‘reality’ in the blacks, grays and whites of either the informational or expressive black-and-white image" -Ansel Adams
Getting back to Across again.
P67 55/4 Across Pyrocat HD
Cheers,
Luc
Field # ShenHao XPO45 - Monorail # Sinar P, F2[CENTER]6x6 # Minolta 1965 Autocord, 6x9 # Kodak 1946 Medalist II
It's a fine film.
Great photo too.
Rolleiflex + Rolleinar 2
Velvia 50, X-pro in Tetenal C41
Field # ShenHao XPO45 - Monorail # Sinar P, F2[CENTER]6x6 # Minolta 1965 Autocord, 6x9 # Kodak 1946 Medalist II
Darrell
Occupy Wall St
Allen in his apartment, Brooklyn Heights
mamiya 7, 400x
Very nice. Was a filter used or did the film separate those cirrus clouds from the sky without one?
I just bought three rolls of 120 Acros to give it a try. Weirdly, it's one of the least expensive films, probably THE least expensive from a major manufacturer, in 120 yet one of the most expensive in 4x5.
Thanks.
Medium Yellow filter plus a tad bit of burning. I do not have an orange filter in 77mm or 82mm but that was I would have used otherwise.
Grain, reciprocity and price are a good argument to use this film. I use FP4 in 4x5 and I am going to try Delta 100, once I choose one over the other in 4x5, then I might consider testing these in 120 to use only one slow film in both format. But then again grain, reciprocity and price
Cheers,
Luc
Field # ShenHao XPO45 - Monorail # Sinar P, F2[CENTER]6x6 # Minolta 1965 Autocord, 6x9 # Kodak 1946 Medalist II
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