safe haven for tiny formats

[jp]

Another one from the lower shutup

Oh Yeah! I like this sort of thing.

[Ken Lee]

Study in Chiaroscuro, March 2017
Sony A7RII, 75mm Color Heliar

[Leszek Vogt]

Ken, please don't say that this is the 43-86 paper weight :>)

Les

[Ken Lee]

Ken, please don't say that this is the 43-86 paper weight :>)

Les

You're close ! It's the 35-105. I got it in 1984. Here's a recent shot made with it.

I appreciate the convenience of zooms but not their soft corners and variable distortion.

[austin granger]

Thanks Gary, Pali, Marty!

Along the Waterfront, Astoria, Oregon by Austin Granger, on Flickr

[David Hedley]

I'm interested in your still life & close up images, Ken. There's a considered sense of contemplation and introspection, accentuated by the soft greys of the tonal palette which is consistently drawn; different tones would have a markedly different effect on the viewer. I spend hours looking at Steichen's photographs, and other similar photographers - Walter Peterhans' photograph of a champagne glass has long fascinated me, for example. Please keep your photographs coming.

[HiHoSilver]

Scott & Austin - just punishing good.

[Scott Schroeder]

Thanks!

The mouth of Closed Canyon, Big Bend Ranch State Park

[chassis]

Great one Austin. Great use of the format and again good tonality.

[Ken Lee]

I'm interested in your still life & close up images, Ken. There's a considered sense of contemplation and introspection, accentuated by the soft greys of the tonal palette which is consistently drawn; different tones would have a markedly different effect on the viewer. I spend hours looking at Steichen's photographs, and other similar photographers - Walter Peterhans' photograph of a champagne glass has long fascinated me, for example. Please keep your photographs coming.

Thank you very much.

Door and Oil Painting by George Carpenter, March 2017
Sony A7RII, 75mm Color Heliar