Pentax Q, Bowens, Microsync and no post-pro
Great job; Basically nothing you can do about people being in the reflections on the beautiful surfaces. As far as being in the picture at all, use of depth of field is helpful at making them less distracting. (see my d-type wheel and nose in the old things thread) Longer lenses can make people cropped out, but at the expense of the 3-d shape of the car. I've found I've sometimes had to wait for a while for people to clear a scene, and then I only have a second or two before people wander back into the scene again. Sometimes I had to come back (and hope the cars were still there.) Thus, I appreciate good car show photos like this...
Mono Lake, Labor Day weekend:
Canon 2Ti
Bodie, Labor Day weekend:
Canon 2Ti
Yes it is back after several months with Ken Ruth for a conversion to 120 and a general CLA (this is how much $$$ I love my Medalist).
Yesterday was not a great day for landscape shots but I still took the Medalist on the hunt.
Plus-X 125 @ 400 in Diafine (only 16 rolls left )
and it makes a fine 10x14 print to boot.
Cheers,
Luc
Field # ShenHao XPO45 - Monorail # Sinar P, F2[CENTER]6x6 # Minolta 1965 Autocord, 6x9 # Kodak 1946 Medalist II
Field # ShenHao XPO45 - Monorail # Sinar P, F2[CENTER]6x6 # Minolta 1965 Autocord, 6x9 # Kodak 1946 Medalist II
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