It's hand-held. I'm pretty steady when I need to be. I think Fred Meyer would probably kick me out if I tried to set up a tripod. I'd love to be able to though-first up would be a 5x7 negative of the wall of milk!Originally Posted by jcoldslabs
I like your wedding shot, and the cloud as well-pretty amazing really, the way it reached down so close to the water. And the laundromat too. I've missed so many good pictures from not having my camera with me. You'd think I'd have learned by now.
Jonathan, nicely iconic image. Austin, nice almost abstract espalier growth. Yes, always worth never being without a camera, even if a DSLR.
Nate Potter, Austin TX.
My walk this morning. Canon 50/1.2 rangefinder lens on Fuji X-E1. Can you say Spring is Coming?
Garrett
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To me that cloud has always looked like a giant cat's paw reaching down to touch the water.
Thank you, Nate.
Jonathan
alt process .. scans of prints
Both Ziatypes.. scans of 9x14" prints on Japanese lightweight Kozo paper (about 50gsm)
30 drops Lithium Palladium, 6 drops Cesium Palladium.
Paper was pre coated with a dilute solution of PVA (Polyvinyl Alcohol)
.. and yes.. the blacks are that black (measured dmax of 2.12 on one, 2.19 on the other)
shot with Leica M9, 21mm preasph
digital negative using an HP z3200 printer & built in digital negative profile.
shot w Nikon D800E, Zeiss 21mm
digital negative using HP z3200 printer & built in digital negative profile
Absolutely beautiful Jim. I love the compositions and the prints.
Portland
Women and cheetahs and juice-it makes my head hurt. I mean, just what exactly are they selling here?
just a few diji 3 color chanelmixers before i start doing it with lf film
there are a few of hopefully a longer series on my blog
http://www.nanianphoto.com/blog
Did you leave a 'w' out on purpose? Chrome figured it out, but the your link is not direct.
Nice website and images.
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