Luc,Originally Posted by lbenac
Did you modify the Medalist to accept 120 film, or are you rewinding 120 film onto 620 spools?
The Kodak ektar lens work quite well on those cameras
It would be nice to find the sheet film back for that camera.
Luc,
Did you modify the Medalist to accept 120 film, or are you rewinding 120 film onto 620 spools?
The Kodak ektar lens work quite well on those cameras
It would be nice to find the sheet film back for that camera.
I had it modified for 120 along with CLA. I fell in love with the Ektar lens. Granted it can give too much distortion on certain angle for building but when you nail it...Luc,
Did you modify the Medalist to accept 120 film, or are you rewinding 120 film onto 620 spools?
The Kodak ektar lens work quite well on those cameras
It would be nice to find the sheet film back for that camera.
Cheers,
Luc
Field # ShenHao XPO45 - Monorail # Sinar P, F2[CENTER]6x6 # Minolta 1965 Autocord, 6x9 # Kodak 1946 Medalist II
Very nice
Tom Keymeulen
Happy New Year.
Here's a couple from September on the Marathon Basin.
A Mojave rattlesnake, and Housetop Mountain.
Unmarked grave on an old country road in the mountains of north GA, with some sort of relief/painting. Not crooked, it was just on a very steep hill. Cropped square from 135 - Nikon F2, 50/1.2:
Okay I'm going to stop posting photos one of these days. Here is a series of photos, with an excerpt from my blog (where you can see more photos from this roll, and hi-rez versions):
...For over two years, I've seen this junk shop a little less than halfway between [Valdosta and Waycross], filled with all kinds of rusted-up junk and cool-looking paraphernalia. But the light has always been terrible - it was always in shadow with how the sun was positioned or it was the afternoon and was flat and boring.
Driving past though on December 20th, the sun was setting and the winter position of the sun made the whole establishment light up aglow! I hurriedly stopped, grabbed my Yashica 124G, and loaded a roll of T-Max 100 film. But something wasn't right...my meter...it was acting funny. The battery had died! No worries - I used Sunny 16 for this whole roll. I developed it in Rodinal, semi-stand with 1:100 dilution, to help even out the exposures.
Bryan,
No need to stop posting. I love seeing all these shots, especially since they are from a part of the country that is pretty foreign to me. I'm sure there are plenty of junk shops here in the Pacific NW, but I haven't seen anything quite like that.
Jonathan
More with Liquid Light/oil/pencil on watercolor paper:
Thanks Jonathan!
I sometimes shoot quite a lot in a short period of time, which causes me to have a lot of photos that I feel like sharing...every once in a while I feel like I'm spamming the thread!
More Sand Dunes. These are near Florence, Oregon. Winter dunes have more texture on the surface.
Both 100ACR, Y2 Yellow Filter
What it looks like in color
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