Originally Posted by
EOTS
Thanks, Rory!
@Stone,
ckagy, Rory and Old-N-Feeble are right!
I exposed two sheets of film, one exposed for the fast water, one for everything else.
Then drum scanning, loading both scans as layers, aligning them and blending them together.
That is, water layer above main layer, aligning them as much as possible,
adjusting brightness to match roughly, but making sure not to blow out most of the detail of the water layer,
then starting out with an all-blocked mask (= black mask) over the water layer.
Then painting white areas into the water layer mask (only in parts of the photograph where the water is fast/white).
Etc ...
Best regards,
Martin
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