Try again.
Try again.
me&camera&step ladder.
Many years ago I had fun panning skiers with a Graflex SLR. I was a little dubious because of the left to right reversal, but it worked very well and was not all that difficult.
I still think a big SLR is the way to go if you want hand-held large format.
For any users of the Arca's with 171 standards contemplating a wide angle bellows- here it is in action.
My Arca-Swiss Discovery with 171 standard and the wide angle leather bag bellows(The F series would be the same). This is a 210mm lens focused at infinity and then at infinity with about as much rise as I feel safe doing.
Third image is a 75mm at infinity with some rise (it could do more).
My Gandolfi:
Last edited by cjbroadbent; 16-Sep-2008 at 06:38.
I'll go. This is the Sinar p2. The love of my life. He has agoraphobia, though and won't leave my studio (he's a little shy about his weight.) Therefore I had to get a portable Shen Hao 8x10.
It is said that the Speed Graphic was invented because photographers using the Graflex (which was standard press camera at the time) were getting killed because their vision was directed to the ground glass, and weren't watching out for the cars.
Wilhelm (Sarasota)
Just another Tachi. Though I'm still proud of it.
My Zone VI 4x10 is about finished. Took it out for a spin last night and finally got rid of that pesty light leak. Need to saw off the rails as you can see. I'm probably not going longer than a 305 on it anyway.
Eric
Dad, why is the lens cap on?
My beautiful and ugly 11x14 Korona Camera City View. Found it abused, in an antique store and pieced it back into useable condition. The setup, lens, and the final product.
Last edited by Brian Bullen; 6-Nov-2008 at 18:54.
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