I kinda fell into photo work. Out of the blue, my brother sent me my dad's old Yashika LM [MF,2.5"X2.25"]. I didnt know my dad, and i certainly didn't know he did photo work. I lagter was told that all his work was lost in a fire. only his camera survived, and my brother thought i'd like it. I thought , welll , if my dad did photo work, then maybe i should try it too.
Once i started , I knew I really did want to do photo work That's how i got started in B&W photography. I didn't like school, so i picked up Vestal's BW photography. It became my teacher.
A few months later some one gave me an old Omega D2 enlarger. Bascially I learnt how to use it by trial and error. Lots of Error.
Best thing i ever did was seek out other people's B&W's . I went to NYC once , just go see a retrospective of Edward Weston. Then to Portland ME to see the " US RT. 1" show if Bernice White's photos. Once I took a train ride to Chicago to see what the Insitutue of Art had inn thier of B&W photo collection/exhibit. I think it was Arnold Newman, Willy Brandt and some Chicao B&W photo greats. I loved the B&W works so much that i found my self crying. I was seeing the orginal prints. So beautiful. No kidding. The beauty of them took me over.
I spoke to some B&W phtogrpahers in Boston once. One said that great Photopgrahy's the equivalent to poetry. I agree.
I liked making 4X5 duplicates of 35mm films[both pos. and neg. negatives] and print from the 4X5's.
Now i want to shoot w/4X5 camera.
I never used anything but ambiant light to shoot in. Just never did get into added light. I just like it this way.
Mainly i prefer to "take off" from the negative.Though I do "realistic images" for friends and such. Now that i wandered on to this site, I feel like i met kindred spirits and i will be moving into LF photography for shure.
Anyway, that's my intro. I am glad to be aboard . Thanks for the site. I already found here much info i can use. But i am also interested in talk B&W LF phtography too.
Pam in Maine
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