Michael,
I know we were at the same show since we chatted twice but I saw it somewhat differently:
Darkroom-Omega Satter was there and there was some Jobo equipment on display. Noritsu was there as well and at least one traditional lab.
Film-I didn't get the feeling that Fuji was promoting film any less than they were promoting their digital products. In fact, it seems to me in retrospect that both kodak and Fuji had about equal space devoted to traditional and digital products. Harman Technologies seemed to be paying more attention to their papers than to their film (Ilford) but that was a very quick impression and not necessarily correct.
Scanners-I thought they were at least as visable as last year. Aztek wasn't there but Kodak/Creo was and with staff from HQ in Isreal and an IQSmart 3 up and running demos contstantly. Microtek had their booth dedicated entirely to scanners instead of scanners, monitors and flat screen TVs as last year ... and had a working model of their new scanner, the M1, on display. I'm assuming that Epson and Canon and HP all had their scanners on display although I didn't pay enough attention to notice.
OTOH, the industry is changing and there will, IMO, continue to be an increasingly large presence of non-film based technologies present at the show. The first year that the five largest spaces included Apple and Adobe was, for me, a harbinger of things to come.
An abundance of lighting gear + return of the spokesmodels. I remember years ago Westcott would have Dave Mecey from Playboy give demos, right on the trade show floor, with a live model on posing and lighting, then show slides of his celebrity portraiture and glamour work. For free; just walk on over. It was like going to school.
Then we became so politically correct with a cork wedged up our ass that God forbid anyone should be offended at the tres horrible sight of a millimeter of cleavage.
Well, I happen to like lighting demos with live models, and they were back (Male models as well, lest I be sexist). I guess marketing people suddenly had the epiphany that photographers as a group are in no small way comprised of voyeurs who don't own razors. Duh.
My wife and I were planning to go on Friday, but at the last minute, decided not to. It's interesting to read this thread because it echoes my lack of regret for missing it given the overwhelming dominance of digital (to which I bear no ill will, but not much interest).
As Ted Harris observes: "OTOH, the industry is changing and there will, IMO, continue to be an increasingly large presence of non-film based technologies present at the show. The first year that the five largest spaces included Apple and Adobe was, for me, a harbinger of things to come."
I probably won't even register next year.
John,
Unfortunately there is no other "game in town". I still thought it was worth the trip without question. I spoke to the people at Leica and checked on the R system and anything coming; HP Marketing and Bob Salomon and looked at the Linhof Master 3000; Schneider USA and had a chance to see the Super Symmar XL 80mm lens; Bogen Imaging and looked at their new Gitzo tripods; Light Impressions and Larry Proctor and confirmed the continuation of the arrangement for the APUG 15% discount; Fuji Film USA; View Camera Magazine and spoke with both Steve and Ted; visited with Keith Canham Canham Cameras) and Keith Soderstrom (Ries Tripods); etc.
Rich
The key thing is that it is definitely worth it if you can get in for free (e.g. clearly press people such as myself and Ted for example would be silly to pass up the event). Otherwise at $40 per person, I can see that for a dedicated LF person, there is not a huge amount of value other than to keep "current". Hence my post starting this thread.
OTOH, there was a LOT of news regarding MF (especially in regards to lots of baby view cameras designed to hold those precious MF digital backs), but there simply was not as much "new" in the traditional LF department other than what has already been mentioned.
Clearly, the now-annual View Camera Conference would be a much more satisfying venue for the dedicated LF aficionado who has no interest in the latest trends in ubiquitous digital photography. However, for those of us who like ALL formats and ALL technologies, I happen to think it is a great (if somewhat overwhelming) venue.
All exhibitors at PhotoExpo have free passes for the trade show that we mail out to antone who asks for them or who requests literature from us within a couple of months of the show. There is no need for anyone wanting to see the trade show part of the show to have to pay for admission.
Any truth to the rumors that they're doing the show in November next year?
You can get in to PhotoPlus for free if you register online beforehand, just like most trade shows. You don't need an invite or a press pass.
Best,
Helen
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