Another one with same lens. 4s, while sun moving around room quite a bit
8x10, 14" Thompson & Co projection petzval (after cleaning and tuning)
Flower study #3 by Sergei Rodionov, on Flickr
Another one with same lens. 4s, while sun moving around room quite a bit
8x10, 14" Thompson & Co projection petzval (after cleaning and tuning)
Flower study #3 by Sergei Rodionov, on Flickr
Thank you, Steve.
Another one, this time with 360mm Imagaon @ F5.6 disk
8x10 , xray
Scan-140928-0001www by Sergei Rodionov, on Flickr
Whole Plate Fortepan 100, D-23, Fujinon 250mm f6.3
Last edited by mdm; 2-Oct-2014 at 18:20.
David Cary
www.milfordguide.nz
8x10, Symmar-S 360mm @f22
Flower study #11 by Sergei Rodionov, on Flickr
Rose, October 2014
Sinar P, 150mm APO Sironar S
4x5 TMY, D-23
Last edited by Ken Lee; 7-Apr-2018 at 16:46.
Haven't posted on this thread before although I have lots of 4x5 color wildflower landscapes one won't see anywhere else because many are in obscure remote places. Also have a lot of closeup wildlfower images however all are from via digital camera images so not appropriate for this site.
California poppies in Central Coast Range spring 2010:
Carrizo Plain National Monument spring 2010:
Many more on my Gallery_B page.
http://www.davidsenesac.com/Gallery_B/gallery_b.html
Thanks Stone. All Provia 100F because that film has the most natural color fidelity for sunny conditions. My intent is to reasonably capture what I see in the outdoors and also post process to that end even if the result is less aesthetic or gaudy. It is a strong answer to those young photographers with digital cameras that think film can't be as relevant. See my Style & Philosophy sub-page.
David
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