From the Chuckanut Mountains in Washington, at an overlook facing the Sound:
http://www.pbase.com/tamerlin/image/93681693
And one from Deadman's Bay, San Juan Island, WA:
http://www.pbase.com/tamerlin/image/93683616
From the Chuckanut Mountains in Washington, at an overlook facing the Sound:
http://www.pbase.com/tamerlin/image/93681693
And one from Deadman's Bay, San Juan Island, WA:
http://www.pbase.com/tamerlin/image/93683616
Lone Mountain, Sweetwater Rocks, Wyoming
Shen-Hao HZX-45IIA
Rodenstock APO-Sironar-S 210mm/5.6
Fujichrome Provia 100F
Wonderland
Acadia National Park
Arca Swiss F-Field Camera
Rodentock 135mm APO Sironar-S
4 sec f/32.3
RVP-50
Xico, Veracruz, April 2007, Tech V, Xenotar 135, NPS (I have the odd sensation I may have posted this already; forgive me if I repeat!)
And one more: Moonrise, Harpswell, Maine, November 1995 (same data as last pic). Congrats everyone on the beautiful work!
Claudio,
Beautiful tones in the Moonrise image. Which film did you use to record the image?
Cheers,
Jeff
Thank you, Jeff! I think it's NPS exposed for about 10 minutes or so. It was right after sunset, right before the sky went fully dark, so I got the last of the light blue in the sky before it went black, but all of the brilliance of the moonlight.
I have another sheet taken a bit earlier, which is not worth putting up because the composition is inferior, but it does show that there is also a slightly earlier point after sunset when the ocean gets this great turquoise glow (at least in terms of how film records it over an extended period of time) , as if there were pool lights shining up through it!
I can watch the ocean change color at sunset in this direction just about any day of my life...
4x5 shen hao, rodenstock 90, velvia 100, grad ND + polarizer
Walter, was this in Yoho NP. I spent about a week there in early December and it was incredible. Nobody was out there. In fact the silence was a bit unnerving at first, and I often wondered what would come out and attack me when I was under the dark cloth!
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