Greg Lockrey
Wealth is a state of mind.
Money is just a tool.
Happiness is pedaling +25mph on a smooth road.
Oiy.
Regards, Art. (Some of you guys make me laugh silly)
I have no darkroom and a couple of the originals are digital anyway, so silver prints are not an option. Besides, I like inkjet prints. The look I can get with them complements my work. These will be Ultrachrome K3 prints on archival paper - about as stable as you're going to get. If people don't like that they're inkjets, they don't have to buy them, it's that simple.
Interpolations are not proofs but educated guesses. Given the many variables involved when displaying photographs it is impossibly to state with a 100% certainty that the prints will last this long without fading.
People, I beleive Art was being sarcastic, as I understand it he also does ink jet prints.
It's not, and neither is the opposite statement. The person who is considered most authoritative on print permanence states that inkjet would last longer. He may be right or wrong, and that's everyone's choice to trust him, or to trust other fellow photographers. Jorge is correct that it is not mathematics.
Kevin -
I love silver prints. I dislike monochrome inkjets. But if you want the "truth", it's that we have no idea how long today's silver prints, using today's emulsions coated on today's paper bases, are going to last, and whether they'll last longer than the most stable of today's monochrome inkjet prints. The fact that we have really old silver prints tells us nothing much, both because we don't know what survival fraction that represents and because today's prints aren't being made on yesterday's papers.
I print on silver because I prefer the way my pictures look on silver. I think everybody else should print on the materials that best suit their taste. David's choice for his work is as legitimate as any other.
Last edited by Oren Grad; 12-Oct-2007 at 16:03.
You'd be amazed how small the demand is for pictures of trees... - Fred Astaire to Audrey Hepburn
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