As LF photographers, we certainly are aware of the technical quality of the final print. We notice the exquisite tonality and detail of some prints. We are often disturbed by lack of sharpness or excessive grain when viewing large enlargments made from small negatives. However, do non-photographers even remark this sort of things, or is it only the image content which strikes them ? When you show them your prints, do they realize it's not something attainable wi th a small camera ? You read enough on photo.net about "stunning" 30x50 inches lightjet prints made from 35mm that I am wondering if LF makes a difference to other people than ourselves. whether
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