Two more to go:
Rider
Brian Sims
Just need your email address, thanks!
Two more to go:
Rider
Brian Sims
Just need your email address, thanks!
"Rider...calling Rider...come in, Rider" I haven't received contact info from you yet...If you are still in the print exchange, please email me your email address.
Thanks!
Andrew
Getting down to the wire on this. I've probably only shot 30 negatives with my new LF camera. Of that perhaps 10 are exposed properly (hey look, I'm new alright!) and of that perhaps only two are really interesting. Hoping tomorrow is gonna be a good day....I want more choices!!! =)
--A
Oh, ok, not really getting down to the wire. Thought the deadline was January 1, 2007 and I see now it's January 31. So I get another month. Hope I get new thermal underwear for Chirstmas...it was freezing on the Brooklyn Bridge the other day. Why couldn't I be a studio portrait photographer!?!?!
--A
I know precisely what you mean. Last winter, I did a series of ice shots with all those flows you see along the side of the road. I'd be out there with my Toyo 5x5, freezing my cajones off. People would be driving by and the passengers would be pointing their fingers at me and shaking their heads. But they were right. I AM crazy. Since I've gotten my technique a little more refined, I'm going to be back out there again this year. I think I can get the subtle details in the highlights now.
Can I get in on this? If so, count me in.
Life in the fast lane!
Made the last batch of prints this morning. They're hanging up to dry right now . . .
Sorry Bruce. You'll have to wait until the next print exchange.
Okay guys- tomorrow I'm going to our post office to get a price for shipping my prints. Here's a question; if we want to exchange info about our images (what, where, which film/dev, lens etc) is the consensus to include a covering letter, OR, just ship prints and put all the info on this forum??
Obviously including a letter each may put up cost, but it is easier to read while perusing the prints by the fireside, malt whisky in hand. . .
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