I've been very happy with my 90mm Super Angulon and 4x5 film.
Until now.
Now, thanks to this thread, my EAS (Equipment Acquisition Syndrome) is raging stronger than ever.
I hate all of you.
I've been very happy with my 90mm Super Angulon and 4x5 film.
Until now.
Now, thanks to this thread, my EAS (Equipment Acquisition Syndrome) is raging stronger than ever.
I hate all of you.
The 47 XL is a very good lens. Interestingly however, for me at least, I finally settled on a 65 as my widest 4x5 lens. Neither the 47 or 58 (or 55 Rodenstock) really allow for any movement other than the slightest tilt or rise/shift. In the end, I found I prefer the 65 due to its larger IC and more generous movement capability. THere is also the issue of falloff, and all of these lenses demand the use of a center filter.
My .02,
I really like the 47mm Super-Angulon XL. There is even some vertical shift possible. It's very sensitive to focus alignment and plane of film. I have had very nice results using it with a Lupa Fantuz architectural camera. http://dentistry.uic.edu/Depts/oralb/ChicagoLinks.htm.
Nice architectural shots Tom!
Cheers, Klaus
Klaus
http://www.macrolenses.de for macro and special lens info
http://www.pbase.com/kds315/ for UV Images and lens/filter info
http://photographyoftheinvisibleworld.blogspot.com/ my UV diary
This is a 35mm APO-Grandagon on 4x5 at f22 (on a pre-DS Cambo Wide), with a center filter. First image is the raw scan, 2nd is the final, with some cloning in the corners to accomodate a wider crop.
I don't even have a ground glass for this camera, I just scale focus, it has a helical with a good distance scale. (I really like scale focusing, I even scale focus my DSLR when I've got the 19 on. Pity the AF lenses have such worthless distance/DOF scales). If I'm going all the way to the edge of the image circle with the 35mm I need f22 to get the edge reasonably sharp anyway.
Roger, I nearly fell backwards out of my chair wit vertigo at those :P
That perspective is so cool and makes the space look enormous. What is the real scale of the place, out of curiosity?
Ole,
not everyone has the luxury of having a lot of cameras in different formats, but it is a perfectly good solution...
I'm currently experimenting with 120 Angulon (not super) on the 8x10"
It seems to work, but I guess not at infinity.
Jack, I really love your images!
G
Geert,
A 120 Angulon on 8x10" should look about the same as a 90 Angulon on 5x7", I guess...
http://www.bruraholo.no/Cameras/Angulon/
Just be more careful with sun shining directly on the lens than I was!
Awesome John and Roger- my equipment acquisition syndrome might be waking up again as well- thanks for sharing the images
Bookmarks