Flickr Home Page: https://www.flickr.com/photos/alanklein2000/albums
I read a book not long ago by Guillaume Geneste, a well-known printer in Paris who did work for many famous photographers (including HCB). He writes how he would make an initial print and then discuss with the photographer about where to take it from there. He did this for both darkroom and later digital prints, and seemed satisfied with both processes.
Every photographer needs to decide for themselves how to produce the work that pleases them based on the tools they have available. In my case, current available tools include a decent 4x5 field camera, several quality medium format and 35 mm cameras with an assortment of lenses, a decent 21 mp mirrorless digital camera with 4 prime lenses, some skill using Lightroom and Photoshop, a quality and reasonably new Canon photo printer, and a bathroom that converts to a very small temporary darkroom as needed. Using that gear, I am currently best able to produce the work that pleases me shooting and scanning film and printing digitally. I hope that my goals, skills, and my available tools continue to grow. I may be using a different set to tools next year--or maybe even next week In the meantime, the film-digital debate feels like the kind of family argument that produces more heat than light.
Bill Poole
"Speak softly, but carry a big camera."
Time for me to repeat myself
I believe, but have no Data
Wet DR is better for our devastated Mother Earth
with LESS pollution than DIGI
I know MY DIGI waste was far greater
DIGI Printer failure, tiny bottles of ink, ruined prints
Tin Can
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