I have a 1961 catalogue but too big to post here. My favourites are the ones they made for photogrammetry. High precision. Impressive. They started making those types in the mid-1930s and we’re the tools of choice for working from images made with aerial cameras like Fairchild. Amazing stuff from a bygone era.
Images from the catalog show huge setups
NYC style, but Montgomery Wards Chicago also had huge setups, I almost got in the giant studio, now condos
Options galore
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I had a member on the hook for mine gratis, no show...
I have the 14" condenser set and OE 25 lamp head
Mine was made shorter for a SAIC Photo Instructor, just the table, the chrome pipe is OE height, still tall
Jac also had one, but stored outside in Wisconsin, he passed, no idea what happened to the 'thing'
In a way Saltzman and Deardorff SC11 are complementary
Tin Can
Wow! Really amazing gear! Yes everything in the catalog was great...
I wish I had one, but I don't have the space.
I haven't made darkroom prints in a long time, and I really miss it.
“You often feel tired, not because you've done too much, but because you've done too little of what sparks a light in you.”
― Alexander Den Heijer, Nothing You Don't Already Know
I have a Saltzman tripod with a side arm for low work. The head is huge, beautiful. I even have the crank for the head. Amazing equipment.
I had that very nice studio head
but realized I would never find the stand
I watch 'Funny Face' to see the rig I wanted
Tin Can
In the 1980s I worked at a lab in a town with several large civil-engineering companies nearby. We used to get a regular stream of print requests from them using huge negs that were from aerial-photography roll-film cameras. The camera magazines held umpteen feet of 10" wide film and we would use a 10x10 Durst to make the prints. Most of the time it was only used for standard 8x10 negs but we were 'the' regional place for 10x10" thanks to that enlarger. IIRC the image size was about 9 1/2" square.
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