Can anyone point me to examples of prints made from Bergger BPF 200 sheet film on the Web? I would like to see if prints made from Bergger film really look like prints made from the now discontinued Kodak Super-XX. Thanks.
Can anyone point me to examples of prints made from Bergger BPF 200 sheet film on the Web? I would like to see if prints made from Bergger film really look like prints made from the now discontinued Kodak Super-XX. Thanks.
I sincerely doubt that you could tell the difference from reproductions at web resolution.
Thanks,
Kirk
at age 73:
"The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep"
Hi Kirk,
I am not too worried about resolution because I will be shooting 8 x 10-inch film and making enlargements no bigger than 16 x 20. Rather, I would like to get a feel for the tonal response of the film under various lighting conditions. I would also like to see how it reacts to pyro developer. Having some familiarity about the behavior of the Bergger film before actually using it would save me a lot of time and energy.
Thanks.
Bergger BPF 200 isn't anything like Super-XX. Read this thread carefully for the story of how that particular myth was invented:
largeformatphotography.info/lfforum/topic/499414.html
I have a couple of images on my site that I made with Bergger that I rate at 100 and are developed in Rodinal at 1+25 for 10 minutes (N+1) in a Jobo. The prints are made on Ilford MG FB Warmtone and toned with Selenium at 1+10 for 3 minutes.
The images are at www.ericbiggerstaff.com and are located in Gallery 2, Room 2 and are titled "Crossed Logs, Mt. Evans" and "Weathered Wood, Mt. Evans" ( I know , the titles are awful!). Not sure if you can tell much about the film but they are what you are looking for, so like the images are not, I hope you can get a little information from them.
Have a great day.
Eric
This example you have requested would have to many variables for a good comparison.
Why? To start with why scan a print for the web? I always scan my negatives or transparencies. Next My 300 mb photoshop files have to be reduced to about 150K +/- for web presentation. Much is lost in reduction and resizing.
Just wanted to point out your research is flawed and you might ask if someone could send you an actual print???
My test box of bergger made me feel it was to grainy for my taste I like HP5 set to 320asa for general b&w these days.
Paul
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This is taken with Bergger but you can't tell much because it is for the web. . . Paul
I've always had great success with BPF200 at 100 in D76 straight. Open shadows, nice midtown contrast and soft highlights. I never used any of the older films (Verichrome, Super XX etc.) but I prefer the look of the Bergger films to almost anything else out there, especially under contrasty conditions. Grain doesn't bother me, especially with 4x5 and up. With the 35mm though, you should be careful with your developing techniques and use a solvent developer of some sort.
Mike, thanks for the tip, Since choices are becoming more limited I'll have to give that a try. I use D-76 1:1 most times.
Oren,
Thanks for the link. I have printed it out and I plan to read it carefully.
Best regards,
Greg
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