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Thread: Tripod/camera matter

  1. #1

    Join Date
    Jan 2005
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    Tripod/camera matter

    Greetings. Is there a set rule that says what kind of tripod (and tripod head) is suitable for a certain camera format? Tripod weight (& tripod head size) to camera weight configuration, perhaps? Are manufacturers recommendation good indication? Thanks!

  2. #2

    Join Date
    Sep 2003
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    Tripod/camera matter

    The manufacturer's statement on how much weight a tripod and head will support is certainly a good place to begin.

    But I find that while a tripod will not collapse under that maximum weight, it can become whippy like a fishing pole. Carbon fiber I have seen tends to be worse (flexible) in that regard than metal.

    Hikers seem to prefer the lightest tripod possible. And I can understand. But light tripods are more prone to blowing over in the wind.

    My general advice would be to get the largest, heaviest tripod and head that you can manage to move around. It will anchor your expensive rig with the most security.

    No such thing as too big in a pickup truck or a tripod. ;0)

  3. #3

    Join Date
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    Tripod/camera matter

    I agree with John. Just because it can support the camera, doesn't mean it does so well.

    My dad's (also an LF photographer) advice to me when I was 12 or so... was to carry the heaviest/sturdiest tripod you can. And after having one camera take flight in a heavy gust of wind... I have started to do so.

  4. #4

    Tripod/camera matter

    I have used various tripods for various formats (35, MF, LF) and was never happy with any of the commecial tripods. Anything "lighter" than a surveyor's tripod just doesn't seem to have the rigidity, so I build my own variation on a surveyor's tripod and find it remarkedly stable. It lacks the "crank-up head" of a commercial unit but it is very "dead" and vibrations die out quickly.

    http://img.photobucket.com/albums/v181/calamityjanecanary/tripod1.jpg

    The cost of the tripod was under $100 and, made from fir, it isn't terribly heavy.

  5. #5

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    Tripod/camera matter

    That manufacturer's rating is under perfect conditions. Indoors, cement floor, infinity focus, normal lens and no dump trucks driving by either. Do you ever shoot outdoors in the wind, rain or on mud or sand? How about close-up's with lots of bellows extension? Or do you use or favor long lenses?

    Mount that 4x5 with a 300mm lens on a CF tripod and as you wait for the wind to die down you can watch the camera blow away. If you think that's never going to happen, don't ask here.

  6. #6
    Ted Harris's Avatar
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    Tripod/camera matter

    Nor should you have to spend a fortune for a heavy, solid tripod. The older larger tripods seem to come up in the used market all the time at good prices. Look for Davis and Sanford and Majestic as two solid ireliabel brands. Finally, you don't need pretty. I have a couple of tripods that are pushing 50 years old and they look it ...... doesn not affect their functionality at all.

  7. #7
    Mark Sawyer's Avatar
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    Tripod/camera matter

    Most will know this already, but I'll throw it in: avoid using the center column if at all possible. Having it up greatly increases the chance of tripod wobble. I like low-profile heads for the same reason. Other than that, like everybody says, bigger is better. Wooden tripods (Ries, Berlebach) are nice; sturdy and light.
    "I love my Verito lens, but I always have to sharpen everything in Photoshop..."

  8. #8
    blanco_y_negro
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    Tripod/camera matter

    Broadly speaking, it is a good idea to use the heaviest tripod you can carry, and it should probably be no lighter than the camera it will support. My Ries does a tremendous job, it's rock solid. As suggested above, there are alternatives such as Berlebach.

  9. #9

    Join Date
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    Tripod/camera matter

    Hi... Thanks! Lots of info offered. Really helpful. Appreciate the response.

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