Tungsten Film for Landscapes

[tim atherton]

"Meyerowitz still shoots tungsten film."

and also Portra daylight

[Kirk Gittings]

The other trick that Misrasch used was to use "green" developer on his C prints, which gives you kind of slight pastel colors and slight magenta highlights. You can really only tell if you can see the white boarders of the prints which will have a slight pinkish tint, but he always overmatted past the image edge to hide this. I always suspected he did this by the look of his prints. I went to a gallery in Chicago that had some unframed and I lifted the matt to see the prints underneath and sure enough-pink borders. Combining this technique with VPL negatives gave him that soft smooth tonality.

He was originally asking about chromes. If were talking negatives now, I only shoot NPS at 100 and never ever filter it in camera. It corrects back very well in all circumstances that have uniform lighting and most mixed light situations too.