Fomapan 100, 200 and 400

[Daniel Unkefer]

Plaubel Makina III, 100mm F2.9 wide-open, Foma 200 Creative, Microdol-X straight (replenished)
"Torturing" the 100mm Anticomar lens. Shot straight into the sun.

Makina3 #10 by Nokton48, on Flickr

[kleinbatavia]

Hi Tony,

I've been out and about, but no, the thread should be alive and kicking. Would be nice if some more people chimed in with their experiences and samples. Deapite the altered backing, the film seems to behave fine. Still need to scan, but the negatives look fine to me. I did notice a slight tendency for base fog so I ran them withfixer a minute longer than usual. That sorted it. (no, my fixer was not depleted, it was a newly mixed solution).

[aclark]

Foma 200 developed in Rodinal. Home-made 5x4 camera. Kodak 203mm Ektar

[aclark]

And here's another. Foma 400 developed in ID11 1+2. Home made 5x4 camera. Kodak 203mm Ektar lens.

[David Aimone]

Lovely!

Here is my take on some leaves after rain:

Leaves with waterdrops

Shot with Chamonix 5×8" and Meyer Trioplan 260mm f:4.5 lens on 13x18cm sheet of Fomapan 100, developed in Rodinal (Foma R09). Full frame.

[David Aimone]

1+1+100?

Foma 200 developed in Pyrocat MC for 8.5 minutes. Zone Vi 4x5, Ektar 203mm F7.7 lens, Minus Blue filter.

Rocky Mountain NP 25 Jan 2015-1 by Andrew Marjama, on Flickr

[tonyowen]

Portgain, Sooth Wales
Calumet CC401, 135m xenar f4.7 lens – exposure 1/30s at f22
Fomapan 100 4x5 sheet
Ilfosol 3 @ 1+9, 5 m presoak, 4m development, using 2509n reel and continuous rotation of 2500 tank
Lot of PS CS2 enhancement.
Attachment 140890

[JeRuFo]

Ok, I'll bite too. I got the brilliant idea to visit a local watermill this saturday. Unfortunately it is in a very busy spot in the woods where bikers, mountainbikers and hikers all pass by. So there was quite a bit of waiting for people to get out of shot or at least get their car out of sight (exposure was 19s, so people wouldn't be a problem unless they stood around.) I've never been able to find a shot there, but decided on another try. I still couldn't see one around the building itself or across the pond and the dirt path lined with huge old oaks didn't work either, because of the light. When I was driving off, I noticed the road had a nice inverted S-curve to it, so I parked up again and tried one last time. It took me about two hours to expose a few sheets of film, with all the people either in the shot or interested in the camera. All the while I was being pelted with acorns (strangely not one direct hit on me or the camera.)

4x5 fomapan 100, 90mm Nikkor-SW @f22 1/2, stand developed in R09 1+100 for 1 hour with one inversion at 30m.

[Fritz05]

My 9 year old daughter Friederike
Plaubel Peco Universal II 13x18cm; Schneider Symmar-S 240mm; Fomapan 100; f 22; 1/60 sec. Three studio flashes: Key light Hensel Monoflash Vario B 600 Ws + large Beautydish; Fill flash: No name China flash 300 Ws; Flash on high key background: Hensel Monolite 400E 400 Ws

[kleinbatavia]

Nice image, should look into stand developing myself. Here's one from last week in Belgium. 13x18 foma 100 shot at box speed, computer 150mm, Rodinal in a drum processor at 20C for 8:20.

Ok, I'll bite too. I got the brilliant idea to visit a local watermill this saturday. Unfortunately it is in a very busy spot in the woods where bikers, mountainbikers and hikers all pass by. So there was quite a bit of waiting for people to get out of shot or at least get their car out of sight (exposure was 19s, so people wouldn't be a problem unless they stood around.) I've never been able to find a shot there, but decided on another try. I still couldn't see one around the building itself or across the pond and the dirt path lined with huge old oaks didn't work either, because of the light. When I was driving off, I noticed the road had a nice inverted S-curve to it, so I parked up again and tried one last time. It took me about two hours to expose a few sheets of film, with all the people either in the shot or interested in the camera. All the while I was being pelted with acorns (strangely not one direct hit on me or the camera.)

4x5 fomapan 100, 90mm Nikkor-SW @f22 1/2, stand developed in R09 1+100 for 1 hour with one inversion at 30m.