Fomapan 100, 200 and 400

[Tin Can]

Of course, details are very important here.

I simply am a fan of Hendrik's work.

This is a very useful thread.

[Domingo A. Siliceo]

Fomapan 100 reverse processed as a slide.

[jesse]

Shenhao 8x10, Fomapan 100, 360mm f7.7 Goerz Doppel Anastigmat, D76 1:1, 10 mins, Jobo CPP2

[kleinbatavia]

Fomapan 100 reverse processed as a slide.

That gives a nice tonal range. What process did you follow for this one?

[koraks]

Yeah I'd like to know as well! I got some chemicals from my dad that he used back in the 60s for b&w reversal processing so I might have all the stuff I need anyway. They're all in dry form and in glass bottles so I think they're all fine. Only problem is the missing labels, so I might have to experiment a bit to find out which is which

[Domingo A. Siliceo]

That gives a nice tonal range. What process did you follow for this one?

First developer, acid bath, bleaching bath, second exposure against a flash, second developer, fix and wash. All chemicals mixed at home.

By the way, I forget to mention the lens was a Rodenstock Ysar (Tessar clone) full opened at f/4.5

[koraks]

was that based on the ilford white paper? What bleach did you use? How much thiosulfate did you use in the first developer and what developer(s) did you use? I suppose I'm looking for some details; the general process is well-known, specific parameters are a little harder to come by, hence my asking.

[Domingo A. Siliceo]

was that based on the ilford white paper? What bleach did you use? How much thiosulfate did you use in the first developer and what developer(s) did you use? I suppose I'm looking for some details; the general process is well-known, specific parameters are a little harder to come by, hence my asking.

no, it's based on Dufaycolor method - I have read Ilford paper and tried to apply it without success. The bleach is Potassium Permanganate and Sulfuric Acid. The first developer is D-168 and the second is D-158 - no thiosulfate on any of them.

[Alessandro Bocchi]

Padua (PD) Italy - Direct Positive Paper mini workshop. Linda posing with a book for a shot on film. Dress Hairstyle and Pose by Caterina Santinello.

- Camera: CHAMONIX 45-N2
- Lens: Voigtlander Heliar 210 1:4.5 in Compound shutter
- Exposure: N/A
- Film: FOMAPAN - 100 ASA - size 4x5"
- Developer: KODAK HC-110 - Dilution H (1+63) - 9 minutes and 15 seconds at 20° C
- Stop: ILFORD ILFO STOP
- Fixer: ILFORD RAPID FIXER
- Lightmeter: Gossen Lunasix 3 reading the incident light.
- Lighting: A couple of Continuous Light.

- Scanner: EPSON V700 and EPSON Scan 3.81
- Software: Adobe Photoshop CS4

[Jiri Vasina]

In early spring

Shot with Chamonix 5×8" large format camera and Schneider-Kreuznach Xenar 210mm f:4,5 lens on 13×18cm sheet of Fomapan 100. Developed in R09 (Rodinal). Full frame.