The future of our sheet films has been much discussed in recent threads, but little attention has been given to the papers used by the wet darkroom printer. Perhaps because many now are using non-darkroom technologies. Personally, I'm quite happy with my enlarger and chemicals but I can't help being more than a little apprehensive about the continuing supply of my favorite papers, particularly the graded ones.

Any informed guesses? By brand, by graded or variable contrast, by single or double weight, by size, by cool or warm tone, etc.?

Thanks in advance,

Nicholas