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Thread: Has anyone tried the J&C Classic Museum Paper yet?

  1. #1

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    Mar 2004
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    Has anyone tried the J&C Classic Museum Paper yet?

    Hello All,

    I planned on ordering some and giving it a try and I was wondering if anyone had tried out the J&C Classic Museum Paper yet? J&C's info states that different developers will produce either neutral, warm or cold tones. Has anyone played with different developers and what were your overall impressions of the paper?

    Thanks

    Eric Jones

  2. #2
    Jim Ewins
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    Has anyone tried the J&C Classic Museum Paper yet?

    NO, but I just saw the Canon Camera Museum and it was fab.

  3. #3
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    Has anyone tried the J&C Classic Museum Paper yet?

    Hello Eric,

    From the description on the JandC website, their Classic line of paper is Forte Polywarmtone paper that has been re-badged. The connotation "museum weight" refers to the fact that the paper is extra heavy weight. Thicker and stiffer than standard double weight paper. Have you checked on the future availability of JandC Classic? I understand that Forte is in financial trouble at the present time.

    I have printed on double weight Forte polywarmtone in the past. It's a lovely warm - toned paper, with a creamy base tone with deep brownish-blacks. I found the museum weight to be thick and difficult to flatten after drying. I prefered the double weight thickness.

    All print papers respond differently to the various formulations of paper developers. I usually add Potassium bromide to my developer tray for warmer tones, and benzotriazole for colder tones. See: " The Darkroom Cookbook". by Steven Anchell.

  4. #4
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    Has anyone tried the J&C Classic Museum Paper yet?

    Sorry, Eric,

    After scrolling down in Jand C's processing information for their Classic Museum paper, it appears to be a different paper than the museum weight Forte. It is only available in one grade, and is not a variable contrast paper. They say it is a good paper for Lith printing. I have no idea what it is.

  5. #5

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    Has anyone tried the J&C Classic Museum Paper yet?

    Could it be FORTEZO?


    http://www.forte-photo.net/e/fortez.htm


    But the weights wrong.

    Forte has reportely restarted production.

  6. #6

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    Has anyone tried the J&C Classic Museum Paper yet?

    I have been using Museum Classic as one of my prime papers for the last year and it is indeed
    one beautiful paper. It comes in 3 grades: Hard Normal & Soft. My experience is primarily with
    the N grade which I have used both for enlarged and contact printing and it fits my images
    well... I tend to really pound my negatives.... my printing style is hard and usually favors the
    shadows. I find that this paper has a very effective latitude in Dektol... particularly in the
    blacks...fabulous blacks! If you do not print hard you may have to use Selectol or something to
    pull the N grade back a bit. Another thing that should be mentioned is that the finish of the
    emulsion surface of the gloss is absolutely superb.

    Museum Classic does indeed present a variety of responses to developers from warm (not as
    warm as Ilford warmtone ....a paper I despise...in Dektol before toning) to coolish but that said
    when I want an absolutely neutral black I use Agfa Classic... although the Agfa does not seem
    to have the power in the shadows as the Museum it holds up better in the midtones & highs and
    after selenium toning it is an absolutely pure neutral tone. The only other paper I use is Kodak
    Polymax Fine-Art.... another stellar paper...exceptional acceptance of a variety of negative
    contrasts and the best luster surface out there.

    Oh yes..... and according to John at J&C it is repackaged Forte Fortezzo.

  7. #7
    Octogenarian
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    Has anyone tried the J&C Classic Museum Paper yet?

    It's been a long time since I have used a graded paper. B&H stocks Forte Fortezzo in grades 2,3, and 4. I assume that translates to soft, normal, and hard, in JandC's language. We used to call grade 2 normal. Grade 3 was a little harder. Grade 4 was as hard as it got. Perhaps that language is no longer politically correct, in today's Viagra Age.

    When Forte (of Europe) began importing their paper to the US in the late 1980's, and early 1990's, Alta Chemical, in Oklahoma, formulated a selection of very nice hard, soft, and warm toned developers for the importer, that were designed to be used with the Forte papers. If you want to see a beautiful warm toned result with a Forte warmtoned paper, I recommend developing it in Alta's Zonal Pro Warmtone developer.

  8. #8

    Join Date
    Mar 2004
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    Has anyone tried the J&C Classic Museum Paper yet?

    Thank you everyone for your replies. I will enquire with J&C when they reopen on future availability, etc. I been printing on Kodak Polymax Fine Art, which I love, and Bergger Fine Art Silver Supreme. J&C Museum sounded like an interesting option to try out along the Bergger Silver Supreme line and so much more affordable then the Silver Supreme.

    Thank you all again,

    Eric

  9. #9

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    Has anyone tried the J&C Classic Museum Paper yet?

    Hi Eric. Just posted a report about this paper at APUG.

    I also posted 3 photos done with the paper this past weekend at the "standard" gallery there.

    Photo 1

    Photo 2

    Photo 3

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