It's been a fair few months of waiting, but finally, the results of the image whispering chain are in.
We started back in early november. Everybody had one week to think of a wait to respond to the previous image, shoot it and get it ready for display on the forum, whether a scan of a print or of a negative. There were no rules about what you had to respond to in the image.
The period of one week was a bit of a gamble on my part and I was a little worried not everyone would find the time to create an image in that period. But, although most people had to finish their image very late in the week, everything went very smooth and there were no problems at all in keeping the chain going.
Thanks to all who participated. I had a great time talking to you all and getting to know a little bit about how you work.
All rights to the images are with their respective creators.
I asked everyone to supply a short explanation with their image.
Without further ado, here are is whole chain. I had to cut it in 3 separate parts, because we are not allowed to post more than 4 images per posting.
Enjoy,
Jewan
Image 0 (the starting point) - by JeRuFo
Technical details: Chamonix 045N-2, 150mm Fujinon-W @f32, fomapan 100
I wanted to create a first image with strong geometric shapes in it that was quite abstract so it would give little direction to where a story should go, but strong compositional clues. My first idea was to head into town to find some interesting architectural details. But then I saw this rock formation in the forest the week before the chain was due to start and knew that I could make my image in this place. Much closer to my personal style and choice of subject.
Image 1 - by OMU
Technical details: Toyo 45CF, 150 mm Rodenstock Sironar-N. Fomapan 100 in Xtol(Replenished) and a long cable riles and some patience.
"I was indeed inspired of your image and have had several ideas where the story should go.
I settled with the tree. It's winter and soon it will be Christmas. It's time to start feeding the birds.
Picture is taken in our garden where my wife feeds the birds during the whole year."
Image 2 - by andreios
Technical details: Sinar Norma on 13x18cm Adox CHS 100 (old one) film, developed in Moersch Tanol. The print is a lith print on a precious sheet of old Forte Polywarmtone paper.
"As I said, the weather wasn't playing part so I had to abandon few maybe more interesting ideas and had to do it in the garden and without much light... My first clue was visual - the emptied cone reminded me of the bird-feeder, but when I was looking at the groundglass and then later rocking the print in the developer (for some 15 minutes) I have come up with many more connections - most importantly the cone is indeed a feeder - and most of it has indeed been eaten already..."
Image 3 - by jb7
Technical details: Arca Swiss F-Line, Super Angulon 72mm, daylight, 90 seconds f/11, Polaroid T55, negative scan.
"I've just noticed that Andreios in in Czechoslovakia, so maybe I got it wrong- the problem with whispering I suppose-
ok, the narrative- taken from the subject, and nothing else-
The Bristlecone Pine, more ancient than the Great Pyramids of Giza, is found in the Rockies in the United States of America."
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