It's not a bad idea to stick to a single lens when you step up to a larger format. When I bought my first 4x5" long ago it came with a 210mm because that was the most used lens in commercial photography at the time. So, there is an oversupply of used 210's to choose from.
If you finally want to buy one - and only one - 210 for all-purpose there are a couple of considerations:
- You can't make a small image angle larger but always can use a section from a larger image circle
- You can't make a soft lens sharper but always can make a sharp lens softer
If I could afford only one lens for my 4x5", it would be a 210mm Plasmat like an Apo-Sironar N or Apo-Symmar. I guess, the Fuji and Nikon equivalents are as good but they are not common where I work.
Many people seem to be very fond of Tessar type lenses. I have some Zeiss Tessars and they are excellent for certain things but I don't like them for close-up/portrait and they have limited image angle. They used to be considerably cheaper than Plasmats. I think that's not an issue anymore if you can afford a box of sheet film.
Peter
P.s.: Way more important than the lens is the photographer. Don't worry too much about which lens because it quickly becomes a waste of time and creativity.
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