Very nice, Ari!
Very nice, Ari!
Yes, it's amazing what kind of smooth transition is built into the lens; unlike anything I've seen before.
I spoke to Mr Clive Russ today, who lent me the lens and who had a hand in its design; he told me the chief designer knew he could make a very sharp lens, what they concentrated on was the OOF part of the image.
He also added that the sweet spot of the lens is f9 or f11 (!).
And yes, I could use a Coke, too. I mean Cooke.
Thank you both.
There will be more to come, I'll try different subjects and whatever else I can think of before I have to tearfully return the lens to its owner.
Nice portrait, Ari.
From what I have seen I really like the look of the Cooke lenses. Like Karl says, sharp but not clinically so. After you shoot it a bit please give us your opinion on how it compares to the Commercial Ektars.
Thank you, Alan.
The section I quoted above is relevant to the comparison you mention.
As a long-time Commercial Ektar user, I immediately thought that the white horizontal area behind the subject's head would get burned out and become a white blob that I'd have to burn in in Lightroom.
That's probably what would have happened with a CE.
With the Cooke, the highlights were tamed on the sheet of film; for a laugh, I tried maxxing out the "Whites" slider to see how quickly it would cause the white area to block up, but it never did.
I just sold my 12" and 14" CEs, but I will re-do a shot from last week that I did with a neighbour; that was with the 12" CE, so I'll re-do it with the Cooke.
PS- Is there any way I can rationalize the "I can't afford not buying this lens" position?
I went with the "I've wanted this lens for 10 years. They may stop making them tomorrow. Just do it." rationalization. :-)
Where's that "like" button?
Well, that's a good practical question. I suppose 476mm would be used second-most often, and I would probably rarely, if ever, get to use the 645mm FL.
My camera has a max extension of 28 inches, just 2,5 inches of surplus bellows extension when using the 645mm.
I forgot to mention that; the new Copal was a real pleasure to use, after having gotten used to old Ilexes and their many quirks.
I was a pro for a long time, but I recently took time off to build up the FLM distributorship over the next few years.
Looks like I picked the wrong time to become a "gentleman photographer".
The "Cooke Look" is a long standing Hollywood legend. I owned a set of their Cine lenses for a number of years. If you feel like checking out my cinematography reel, it was all shot on Cookes.
CB
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