Here's one that I did over the weekend:
Seal Rocks, San Francisco
Toyo 810MII, 480 Apo Ronar, Delta 100. Printed on Bergger Cot320.
Thomas
Here's one that I did over the weekend:
Seal Rocks, San Francisco
Toyo 810MII, 480 Apo Ronar, Delta 100. Printed on Bergger Cot320.
Thomas
Here's a reprint I did Sunday morning before Game 5 of the WS:
Sutro Baths (Ruins), San Francisco
I wasn't entirely satisfied with the original print and thought that my new technique would improve it. I was right! It has greater contrast and a beautiful tone. Each print takes about 4 hours to print from the time that you first coat the paper until it's ready to dry. Add another 4 hours for it to air dry and we're talking a full 8 hour shift. I'll have 15 different salt images to start with.
Toyo 810G, 360 Symmar-S, Delta 100. Printed on Bergger Cot320.
Thomas
Nice results what formula did you use if you don't my mistaking
Thanks Dominik. I salt with 2% ammonium chloride in distilled water and then sensitize with 11% silver in distilled water. Each print is toned in gold or split-toned with gold and platinum.
Thomas
I am about to get into it (just ordered the chemicals.) Thomas, all your flickr images are gone. Don't know if done on purpose... that usually happens when you edit or substitute the image on Flickr.
Yes, I deleted them including the one above but obviously it's still on Flickers router. I'm going to send them an email.
Thomas
Prepping to make some salt prints from 12x20 Efke 125 film. Wondering if you guys would suggest an N+1 or an N+2 negative or should I just shoot it normal? What I'll probably do is make four exposures and run the gamut from N to N+2 and see which neg will print best.
Yeah, it's an expensive test...that's why I'm asking for suggestions. I'm also planning to use salt from Robert Smithson's 'Spiral Jetty' in the making of the print. We'll see how it works out...I have 15 lbs of salt I harvested from that site years ago.
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