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Thread: Sinar/Hopf ground glass?

  1. #1
    Luc Benac lbenac's Avatar
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    Sinar/Hopf ground glass?

    Hello,
    It seems that Steve Hopf's ground glass is considered the best.
    Does anybody had the chance to compare one with a Sinar OEM?
    I am wondering if this would be a reasonably priced improvement.
    And yes I know about the Maxwell GG/Fresnel and no I am not considering spending $300+ on one :-)

    Cheers,

    Luc
    Field # ShenHao XPO45 - Monorail # Sinar P, F2
    [CENTER]6x6 # Minolta 1965 Autocord, 6x9 # Kodak 1946 Medalist II

  2. #2
    Luc Benac lbenac's Avatar
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    Re: Sinar/Hopf ground glass?

    Anybody?
    Field # ShenHao XPO45 - Monorail # Sinar P, F2
    [CENTER]6x6 # Minolta 1965 Autocord, 6x9 # Kodak 1946 Medalist II

  3. #3

    Re: Sinar/Hopf ground glass?

    Not the same size, but I haven't noticed any difference in brightness between my 5x7 with Hopf's glass and my 4x5 with the original Sinar screen (not the fresnel).

  4. #4

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    Re: Sinar/Hopf ground glass?

    I an also curious but I have a Chamonix 045n2 and the GG is rather dark....

  5. #5
    Luc Benac lbenac's Avatar
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    Re: Sinar/Hopf ground glass?

    Quote Originally Posted by Jason Greenberg Motamedi View Post
    Not the same size, but I haven't noticed any difference in brightness between my 5x7 with Hopf's glass and my 4x5 with the original Sinar screen (not the fresnel).
    Thanks Jason.
    I guess that the smaller the size the bigger the difference might be.
    I ordered one before I had read your post as my Sinar GG has a few scratches and Steve is a nice guy to deal with so will see.

    Cheers,

    Luc
    Field # ShenHao XPO45 - Monorail # Sinar P, F2
    [CENTER]6x6 # Minolta 1965 Autocord, 6x9 # Kodak 1946 Medalist II

  6. #6
    Luc Benac lbenac's Avatar
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    Re: Sinar/Hopf ground glass?

    Quote Originally Posted by Bert Vliegen View Post
    I an also curious but I have a Chamonix 045n2 and the GG is rather dark....
    On my field camera I have an Ebony gg/fresnel. It is very clear and fine for "general" focusing and for short lenses in dark places i.e. 135mm or 100mm in a church.
    I had a Chamonix with a Hopf GG and that works very nicely as long as you use a dark cloth.
    On my Sinar which I use with subjects that require a fine focusing for small DOF I could not stand to see the Fresnel grooves.

    Cheers,

    Luc
    Field # ShenHao XPO45 - Monorail # Sinar P, F2
    [CENTER]6x6 # Minolta 1965 Autocord, 6x9 # Kodak 1946 Medalist II

  7. #7

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    Re: Sinar/Hopf ground glass?

    Most ground glasses are made of soda lime glass. You can tell by taking the glass and looking at the edges, there's a slight greenish tint to it. Steve makes those as well as the borosilicate, which don't have that tint. That glass is stronger than soda lime, I have one in my Linhof and love it. As far as brightness is concerned, I don't think there's a difference between soda lime ground glasses regardless of the manufacturer. The borosilicate seems just a teeny bit brighter because it doesn't have a tint to the glass, but nothing to write home about. I think fresnel is the best way to go, I had a Sinar branded fresnel screen for my F and it was fantastic after you get over the small lines in it. Nowadays I just prefer a regular GG since I shoot outside mostly, the borosilicate screens Steve makes are great.

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