Sometimes when doing wetplate you have gremlins that cause unusual flaws. The trick is to troubleshoot the flaw, and get the next plate to be good. During this session I shot 5 plates, the first 4 were fine. The last plate I altered my process, ever so slightly, and didn't go with my hunch to switch out one bath. This overexposed, under stopped plate was the result. But I kind of like it, the "flames" in the background are quite blue in real life. I call it "Starry Night" with a nod to Van Gogh, who would have gone crazy faster if he'd done wetplate.
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