Alt-Process Prints from Digital Negatives or Positives

[peter schrager]

Just checked out image kind john..nice job!!

[jnantz]

thanks peter !

[bob carnie]

image courtesy Bryan Helm.

From a series that will show in Montreal Toronto and hopefully Palm Springs PhotoFestival , Los Angeles, Portland,/Seattle and Vancouver , starting next September.

the Show will be called Pallas.

This is a duo tone gum over palladium, on Revere paper.

[jnantz]

bob, that is beautiful.

[Erik Larsen]

"QUOTE=Andrew O'Neill;1364772]This time I coated the kallitype image with Lumitex matte varnish. I much prefer the matte finish. The Kallitype was also gold toned. "

Hey Andrew, thanks for the tip on the matte varnish, it's been bulletproof in my tests in carbon on platine. I was pulling my hair out with gelatin, pva, and albumen sizing then I tried the varnish and all was right in the universe again!

[Erik Larsen]

Carbon print on Arches Platine. An old Hudson car near Flaming Gorge UT. Please forgive the iPhone reproduction.

[bob carnie]

Some recent work. The Holgas are my wife Laura Paterson, I am working on a portfolio of her images on colour neg using a holga these two
prints are tri colour gum prints.
and the tutu is a duotone gum print

[windij]

Nice print Erik! I also like using platine as a final support for carbon. How are you making your digital negatives?

[Erik Larsen]

Nice print Erik! I also like using platine as a final support for carbon. How are you making your digital negatives?

Thanks, I also like the platine but have a hard time keeping delicate highlights with carbon- it drives me nuts!
Sandy King kindly provided me with a quad tone rip profile that worked very well with just a little adjustment for my working methods. I'm no genius at qtr for sure!

[jnantz]

a couple more xerox negative ephemeral sun prints (scanned)
hospital trust building, and cap of the superman building
its not enlargement digitalstatic but dots from the xerox negative
can't wait for sun, to make cyanotypes from waxed paper