I wish Arista would better define their offerings. They've had hit & miss films over the years. A test run with a step wedge & densitometer never lies, but that doesn't help during the ordering process.
My cheap film has been Shanghai GP3 (100). I expose at 200, bringing highlights down into a more detailed part of the film at the expense of shadow detail. In doing so, I don't need to push the contrast as much and preserve more tonal range in the process.
One film I've been very impressed with for the money is Kentmere 100. I wish they made that in the 120 format.
Here's an example of the Shanghai shot at dusk in the above described manner on my Fuji 645zi "pocket" camera. Processed in D-76 1:1 (I usually use Xtol 1:1). I used a yellow filter, the result was a bit overkill with the setting sun already throwing dark yellow light & causing heavy shadows. I'll see what else I can dig up with the Shanghai and post it.
Bookmarks