MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing

[sanchi heuser]

Kodak T-Max 400, development by HSL in Düsseldorf,
6x7 rangefinder, 150mm lens


Jalousien von andi_heuser auf Flickr

[sanchi heuser]

Kodak T-Max 400, development by HSL in Düsseldorf,
6x7 rangefinder, 65mm lens


Sprung von andi_heuser auf Flickr

[Gary Sommer]

Thanks, Joel.

LNF-11 by gary2881, on Flickr
Pentax 67, HP-5+, WD2D+

[ScottPhotoCo]

In my quest to see light and shadow better I continue to look at things from different angles, focal points and intent. This photograph was made in the kitchen at Lacock Abbey. One of the worlds first photographs was made at this Abbey by Fox Talbot at a window in the main residence. I also made a photograph at the same window which I will post at a later date. My quest to see light and shadow continues.

Lacock Abbey
Rolleiflex 2.8f + Fuji Acros

Lacock Abbey 2015 by ScottPhoto.co, on Flickr

[ScottPhotoCo]

One more for today.

Tate Modern, London, February 2015

Influences
This year I want to expand my visual vocabulary and my way of seeing. While I was in Europe this year and with that in mind I worked to try to see things differently keeping in mind images from the past that have moved me. This is an obvious homage to a famous image and while similar I feel that it is strong enough on its own to share. As I make images influenced by others I will continue exploring until I find my own true voice.

Tate Modern, London
Rolleiflex 2.8f + Fuji Acros

Tate Modern, February 2015 by ScottPhoto.co, on Flickr

[Peter De Smidt]

Nice work, Tim.

[Peter Lewin]

Tim: I really like your photograph at the Tate Gallery. I'm curious what image you had in mind when you took it? To me, the first thoughts that come to mind are Kertesz, who took pictures at a similar angle from his window (I'm thinking of one of a park in snow, can't remember the title), and Strand, whose "Wall Street" has some similarity in the scale of the people to the environment. Which goes to prove that photography is broad enough, and ambiguous enough, to allow all of us to see different similarities between a given image and those in our "memory banks." But your Tate is one image I would be happy to hang on my wall!

[ScottPhotoCo]

Nice work, Tim.

Thank you sir!

Tim: I really like your photograph at the Tate Gallery. I'm curious what image you had in mind when you took it? To me, the first thoughts that come to mind are Kertesz, who took pictures at a similar angle from his window (I'm thinking of one of a park in snow, can't remember the title), and Strand, whose "Wall Street" has some similarity in the scale of the people to the environment. Which goes to prove that photography is broad enough, and ambiguous enough, to allow all of us to see different similarities between a given image and those in our "memory banks." But your Tate is one image I would be happy to hang on my wall!

Mr. Lewin,

The image that popped in my head when I saw this shot was the Paul Strand Wall Street image. The background shapes, the motion, people, the light and the feel. When we went to the Tate Modern I was not particularly inspired by the exhibits (the Tate Britain on the other hand was spectacular) so I began looking for images. I was on the third floor looking down and saw this view. I had my Rolleiflex loaded with Acros 100 and it was quite dark in the building. If I remember correctly the shutter speed was 1/4 or 1/8 or something around there. With no tripod I hand-held the camera resting an edge on the railing. I was lucky to get this moment.

I love that fact that other accomplished photographers might want to hang an image of mine on their wall and am always happy to share. If you would like a print send me a PM with details and we can get something together for you.

Thanks again for the kind words.

Tim
www.ScottPhoto.co

Paul Strand image for reference below:

[Gary Sommer]

Lost-Cr-36 by gary2881, on Flickr

Lost-Cr-Canyon-41 by gary2881, on Flickr

Pentax 67, HP-5+, WD2D+

[Christo.Stankulov]

Hass 500
FP4+
HC110
crop