I find the trend of this discussion to be utter nonsense. Abstract art began in color. And the notion that color in nature has to look like some doofy postcard or
calendar shot merely tells me what I already know - that a lot of color nature and landscape photographers are hunting for stereotypes and have yet to learn to
perceive color. They're too busy trying to bag something kitchy and allegedly salable. Adams' didn't really understand color, though his limited color shots were better than most people give him credit for. But if he had taken time to learn to master color printing himself, he might have had a totally different opinion of it. I've had my color prints exhibited side by side with both major abstract expressionist painters and Adam's himself, and had no problem anchoring my own half of the venue. You get out what you put in.
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