Christopher Burkett
Charles Cramer
Clinton Smith
Elliot Porter
Ansel Adams
EW
Cole Weston (Big Sur photo is his best)
I even have seen some John Wimberley color images I thought "Interesting".
I love Eliot Porter, too, but I thought his photography was 35mm and dye transfer. I certainly might be mistaken.
EDIT: Appears I am mistaken. He used a Linhof 4x5 according to some website. I do know he did alot of bird photography with 35mm. A friend of mine called him "the Ansel Adams of color."
I believe he actually did some of the bird photography with LF cameras!
Here is a good description of Porter's dye transfer process:
http://www.cartermuseum.org/collecti...p?sec=dyetrans
Thanks for that link. Very interesting. There is a picture of Eliot Porter there with a Graphic View. Glad to see that endorsement! (I love my Graphic View!)
Porter's bird photography at the nest was predominately 4x5 kodachrome. He used some Hasselblad and 35mm on occasion when it was best suited for the situation (Antarctica). Birds away from the nest were frequently with 35mm.
I am adding Dykinga, and O'Hara when he as shooting some 4x5 in the 80s for his National Park book series. Yes to Cramer and especially Carr Clifton whose digital work IMHO is of equal quality to his LF work.
There are a large collection of other LF shooters over the years whose color work was exceptional but are lost among the big hitters. Of course Philip Hyde had a wonderful eye.
It's interesting that David Meunch and others who shot for Arizona Highways are not among other's choices.
Paul Schilliger
If you we're gong to start leaning toward the Meunch/Dykinga school, the Brit Joe Cornish does some very nice work. And another vote for Paul Schilliger.
Looks like people are divided into the Modernist gang and the Contemporary crowd.
Please email me - my inbox is always full.. (press ALT and click on my name, then select "Send email to Uri A"). Thanks!
Bookmarks