Because its a way to create beautiful art. QED
The Internet helps to get the word out and the availability of workshops has allowed many users to lear the craft quite easily, the materials are...
Type: Posts; User: eoghan; Keyword(s):
Because its a way to create beautiful art. QED
The Internet helps to get the word out and the availability of workshops has allowed many users to lear the craft quite easily, the materials are...
That photo does not look like wet plate collodion to me, too much detail in the sky
Try updating the firmware on the airport, then go through it's settings.
If your Macs are not too old try switching to 5Ghz only (make sure if you are using a wireless connection to the airport...
Cool but very long, these might be more manageable
http://www.ereignis21.de/Ereignis21_short_1Mbps.mov
http://www.ereignis21.de/
http://www.flickr.com/photos/9441978@N04/
I have a few, mostly 8X10, some 8x8 all wet plate collodion
50608
50611
See it here:
http://www.comcast.net/video/the-eloquent-nude/1093000069/
https://www.chemsavers.com/
Duh! ;-)
Agreed Premium Luster is the best for that paper
It is a lot more then what has been generally been portrayed, it is a full editor and not just for making macro changes, it was designed from the ground up for photographers unlike photoshop which is...
Thats why I said you should check out http://lundphotographics.com/shop/ they sell the plate holders and other hardware that you will need.
Its very good and a good way to get into wet plate. They supply everything you need although I prefer to use a different fixer, their default is Sodium Thiosulfate, I use ilford rapid fixer.
In...
Listen to the complete podcast, I believe you will find he is only talking about PORTRA film not EXTAR or any of the other B&W or color films. This is how rumors start!
Thanks again for all the good tips, this really helps.
Thank you both for your replay, exactly what I was hoping for.
Frank, I have been following your work for a long time, thanks again.
I would appreciate any help or pointers in helping me move from 4X5 to 8X10 macro work.
Up to now I've been doing close up work on small objects (1 to 2 inches tall) with my 4x5 and have been...
I Just finished the most exciting photography workshop I have ever taken, Tintypes at RayKo in San Francisco. The instructor, Michael Shindler, was wonderful, articulate, knowledgeable, inspired and...