For years I've been using the 6x7 back on my Graflex 4x5 with great results. 16x20 to 30x36 traditional enlargements have yet to disappoint. Have not explored digital in this format however.
Type: Posts; User: Ted Davis; Keyword(s):
For years I've been using the 6x7 back on my Graflex 4x5 with great results. 16x20 to 30x36 traditional enlargements have yet to disappoint. Have not explored digital in this format however.
John I'm afraid you'll have to cut 4x5 sheets to 3 1/4x4x 1/4 to fit the film holders, or look on ebay for a 120 roll film adapter. I just saw a Singer Graflex one at Samys camera in Venice...
Never mind, found a couple of old threads on the subject.
What's the best type of black cloth tape one would use to create a hinged flange on a 4x5 film holder? Thanks.
See www.greenpun.com/bboard/q-and-a-fetch-msg.tcl?msg-id=003s N8
It's the B&W printing board, look about ten questions down. This subject is addressed.
Hi Michael, I too have had no luck with my Kalart after WEEKS of constant adjusting and fiddling. I think I've tried everything and just don't use my Graflex for anything spontanious anymore. ...
I mistakenly loaded Velvia 4x5 with the emulsion side facing inward. Didn't realize it 'till unloading in the changing bag. I saved the film. My question is: Is this film still considered...
Ian, I use a alck T-Shirt too! Works great.
Pack all photo equiptment for carry-on. I've lost luggage(big hard to lose things like surfboards) on almost every annual visit there! Once you arrive in Kona, rent a car and get out as soon as ...
Bob, the Forte Polygrade will give deeper tones in selenium than the Polywarmtone which is already a warm paper. The Polygrade (both FB and RC) are the best papers I've ever printed on. I stick...
Worked for me with Tri-X. I've found that Ilford films and papers don't tone well. Has anyone ever used Motox intensifier?
For a while I thought my fogged tray developed negs were the result of those bright Gralab numbers. After a few frustrating experiments, I found the culprit was the dim afterglow of a one-tube...