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I'd been scanning Portra NC 160 on a flatbed scanner, but today tried some scans with an Imacon 848. My intention was to do minimal processing in FlexColor – I thought the FlexColor Portra 160 NC...

Hi Tyler,

I'm not a qualified Harman historian, so I can't say for sure. When Harman FBAl Glossy came out, I didn't use it because it looked too bright. I didn't save the samples, so I can't...

Once you get over the trauma of finding it a bit different, it's quite a nice paper.

Their profiles & paper setting recommendations (for Canon WF) are awful, but I have a new custom profile &...

Hi Kirk,

I gave it a try, but didn't get the results I expected! If I set the film type as color negative for Portra & re-tag the .fff's as .tiffs, they open as negatives.

Perhaps this is...

BTW, it comes in 17x22 sheets, too; probably best for most MF/LF printing. My reason for 17x25 is that you can also use it to print 15x22.5 from full-frame 35mm files.

Kirk

Not sure how close to glossy you're willing to go, but I use Harman Baryta because its paper surface is the closest I can come to classic Portriga Rapid 111. I use the regular white (which is just a...

Excuse me for bringing such an old thread back to life, but I have a question:

I can rent time on an 848 & want to use the 3f technique.

My previous workflow has been to save 16-bit scans as...