You can 'tone' the paper BEFORE ink jet printing it. You can also spray, not brushing, non water holding varnish or other transparent and non opaque colours over the print.
As long as the liquid...
Type: Posts; User: Philippe Debeerst; Keyword(s):
You can 'tone' the paper BEFORE ink jet printing it. You can also spray, not brushing, non water holding varnish or other transparent and non opaque colours over the print.
As long as the liquid...
Hallo,
Perhaps this item might have been discussed over here, but I could not find the right answer in the postings, or my English isn't just good enough to understand the comments...
So, I...
Sorry Mark, I don't want to disillusion you, but Sinar used to advise this with their Norma. I think they sold a spacial holder, somme kind of a frame to be attached on the lensplate or on their...
Thanx Len,
No I wasn't, but I think that the information was somewhat wrong or confusing.
Anyway, I 'need' to convert my 138, but can't find the right info. All I can find is the way to do for...
I have read about the conversion to a halogen bulb, but how to deal with the after glow which is more important than with the 'traditional' bulb?
It’s a combination of DIY, home made stuff and used bought gear. Besides a few process lenses and the developing tanks and — trays, nothing is really new. I hate to see people dumping perfect working...
When AGFA passed away, I bought the last 10 1/5 L bottles of Rodinal I could find. I poured them in 5 1 L brown wide neck glass-bottles I kept from the Sulphuric acid I use for controlling the pH...
A diffuser glass, very interesting, but where to put that glass, under the condensers, but how?
Philippe
I have a bunch of those well made KODAK 13x18 cm sheet-film frames (see attachment), but no tank, or what so ever, to put them in for processing sheet film.
So, I am desperately looking for a few...
Dear Nana,
Somewhere, on www.apug.org, there are several threads on using, repairing and how to convert DURST enlargers. It will take some time to find the right posting but, believe me, it’s worth...
I had the same problem a few years ago when I had to shoot industrial cool-stores in the Antwerp harbour (a digital camera cloud not stand the -24°C cold...). Then I got the idea to lube the dark...
I have one, but a slightly deferent model, the 139S.
All the condensers, AGFA colour head mounted on a LAVACO and a Durst cold light source.
Does someone know where to find (in Europe) the spare...
I think that dust IN the CAMARA/BELLOWS is at least as problematic as dust in the holders. It is my experience that wide angle bellows are more prone to hold dust than the normal bellows. The one I...
Ardéche, Linhof 6x17, f 90 mm - F 11 - 1/60 sec. hand held (and holding my breath), dull weather, Delta400 @ 1000ASA in Rodinal 1+50, not so well scanned.
Philippe
Thank you Steve
It occurs to me that B&W film is more prone to problems when NO presoak is applied than colour film (pos. or neg.), I do not know why but I do not really care.
I once, unwillingly, pre soaked APX...
Dear Paul,
As the Jobo is an rotation machine, it is best to use the products as an one shot process.
Due to the rotation a lot of air (= oxigen) is 'mixed' with the products, so there is an...
What Rob is saying about web immages is verry imoprtant now days.
But can someone tell me what to do about that?
I am working on a website and this problem accured and this is why my website is...
Dear Rodinal users,
Here, back in Belgium, the verry sad news was spread that AGFA PHOTO no more exists due to bankrupcy (last monday).
The warehouses are sealed and the production in Germany...