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Not sure if it's strictly architecture but heres my recent project on UK Electricity substations

All shot on Portra 400, 6x9 film back.

Also I think Palm labs still do 10x8 in Birmingham.

I've used one for the past year and while they are very very good you can save a lot of money by buying some anti glare glass and using coins or cardboard as the shims.

Same here, XTOL works really well, loads of shadow detail and easy negs to print.

1. Don McCullin
2. Martin Parr
3. John Davies
4. Paul Graham
5. Brian Griffin
6. Mark Power
7. Denis Thorpe
8. Bill Brandt
9. Anna Fox
10. Nick Waplington

I bought a spare CPA-2 last year and that didn't have a drain so maybe they were issued without one?

It's a OK set of images and probably paid a lot of bills but McCullins safari calendar from 20-30 years ago seems very wrong, on many levels.

NC2000, still have nightmares about that camera. Used one for a couple of years, great if you liked to miss most shots, and everything magenta.
The 14n was a better camera than the 1ds in some...

For 3, I've invoiced around £700, the other ones I've sent to a IPL, haven't go the time or energy to chase them up.
The first 3, 1 paid up (after a nasty solicitors letter) and the other 2 have...

I've recently done a search for my images, 2 search terms.
Found 13 breach's of copyright and last week sent 13 letters out. Nice earner but that's from only 2 searches. I've sent out over 100,000...

Supply does seem to be a problem.
I just waited 4 weeks for a delivery of FB and resin paper, heard today it's been delivered tomorrow, so I've stocked up.

Shame if they lost customers because...

I would love to shoot film commercially but in reality those days have long gone for editorial and commercial shoots.
Maybe there is a niche in portrait and weddings which could be exploited?
...

Might be wrong, but that store, and those prices look too good to be true.
It's not the real Adobe store, just one made to look like it.

Well said, when have Flickr photographers ever cared about the pro market?
At least the agency use still "try" and look after photographers.

Adox MCC in Edwal LPD :) :) :)

I've got a Caltar 210mm and always assumed it was a rebadged Rodenstock.
It's a great lens and I've never had any problems with sharpness, for the price compared to the main brands I think it's a no...

Sure the technical people will be posting soon with graphs etc.

On my level, I always preferred Tri-X v T-max, it has more bite and just looks more punchy. I like an image with a bit of grain, not...

Contact sheets.
Used to love looking at how the "greats" reached there best images.

I'm too far away but you could try here http://www.lf-photo.org.uk/

Suppose it's more to do with producing a physical product, one of the reasons I've gone back to 5x4 film for my own projects.
Yes DVD/FTP is a lot easier, no more driving back and forth to the lab!

Not really discontinued (suppose the technique is) but I really miss the days when we all used Metz hammerhead flashguns, the ones that would light a whole football stadium.
Speedlites never really...

If you look Ansels original contact print then the sky is almost like daylight.

Here's my new darkroom converted one of the garage, really really great to be making big fibre based prints again :) :) :)

http://www.alamy.com/

This is a good place to start, although these days they tend to be priced at the mid end of the market.

Just make sure you have a time limit on use of your images, or at...

Looks like it could be the lab but just to be sure have you run a roll through each camera and send them to a different lab.
Also check the t&c's of the lab, best you may get is replacement film.

You probably won't ever need another 210mm lens, can't fault my copy :)

Luckily you probably haven't seen the work of Duran Duran's Nick Rhodes, his exhibition of polaroids was something else.

I photographed the ex wife of a Beatle a few weeks ago, her pics were were...

Another vote for RHdesigns, simply one of the best darkroom timers I've ever used.
I use the analyser pro with my multigrade 500 head, feel a bit of a fraud as I no longer have epic hours in the...

Just hope you never had the unfortunate experience of using the mk1 version :eek:

Not done the exact comparison but I've had a few 1dskm3 files taken on a 16-35mm and some 5x4 ektar enlarged to 30"x20", taken on a 150mm, and then drum scanned.
Film easily wins.
The gradation...

I've got a few and always use the Toyo ones first followed by the plastic Fidelity ones.
Don't know why but they just feel better.

Here's a quick comparison I made on another forum

http://www.talkphotography.co.uk/forums/showpost.php?p=3553459&postcount=13

Depends if I was shooting film or digital. I like to approach my film work like I used to do, get it right in camera.
Digitally , well, I use all the tools available at my disposal, although I try...

Demolition of Lawrence tower Aston University

The architecture work I do (sorry can't post as it's digital, 1ds mk3 with tilt/shift lens) I leave everything in unless the client asks for it to be taken out. I mostly advise them to leave things...

Just a new name.

It's really good stuff, I've done some 30"x20" prints for a client recently, had the neg drum scanned and it's virtually grain free with good contrast and vivid colours.
It's not a film for every...

Don't really understand all the anti Kodak sentiment.
Is it just me or are Ektar and Portra the best colour films out there at the moment?
B+W Tri-X is still my number 1 choice, only going over to...

Mine is set up on a shelf in the corner with a bucket underneath for the spent chemicals, sorry not earth shattering but does the job.

Just finished my first box of 5x4. Looking at the results it's one of those moments photography technology rarely gives you (I used to be a press photographer and the first few rolls of Fuji Super...