When I decided to give 4x5 a go a couple of years back, even though my primary interest is in landscape, I got a monorail camera. I wanted a camera that would allow me to fully explore the movements (I had had lot of fun with a 6x9 field camera by then, so had some idea about the limitations of that design). Monorail isn't very practical choice for carrying about, but I am glad I went down that route initially because it really opened my eyes to the possibilities. This summer I got the wooden Interpid as a second camera because of it's weight and because it takes standard Technika lensboards (as I think all the cameras on your list do).
I am happy enough with it, it's fine for most of the things I do. It doesn't have any scales, so e.g., it's difficult to reproduce existing setups, and I have to take care with properly locking the front swing, the screw has to be really tight. But it is light, packs well, and the ground glass is bright enough, and there are some nice touches, like the little spirit levels. The movements with a 90mm lens are very limited by the bellows (I expect you might get some small variation between different folders depending on the quality of the bellows, but movements at wide angle need bag bellows really). But most of the time the Interpid is more than enough for what I indented to do, and when I have a specific image in mind that I know will need more movements, I take the monorail (or sometimes make a note to come back to the same place with the monorail
). The thing is you can have any number of cameras that take the same lensboards, and you can upgrade your camera at will later, the initial investment in 4x5 is primarily the lenses, and film holders, and depending on the size of the camera a tripod upgrade (the intrepid is light enough to work with standard tripod designed for a DSLR).
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