Thomas, I don't think... The C1 is perfectly steady. Yousuf Karsh used one for 3 decades.
That movement you say comes from tripod head, I guess, because front and rear moves like pivoting.
I feel the C1 is legendary gear, and a sign of distinction. For 45/57 I like more the Norma, but for 810 IMHO the C1 is not a bad idea at all.
A long carreer photographer sporting an APO Tele-Xenar 800/12 and a ton of cibachrome boxes is suposed to have a refined criterion for selecting gear
Anyway IMHO the camera is the irrelevant factor for the quality of his extraordinary work, again in this case the man is what counts.
Making contrast masks while burning/dodging amazing ciba monster prints from 810 Velvia/Provia is not that common today...
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