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Thread: Post your homage to another photographer (any format)

  1. #71

    Join Date
    Aug 2001
    Location
    SF Bay Area
    Posts
    2,707

    Re: Post your homage to another photographer (any format)

    Hi Gregg, nice homage to Paul. His 90th birthday was a few days ago.

    Let me volunteer a thought, if you don't mind. Paul might have seen what you did. I think he would have printed the surrounding area of the white rock down a bit more and let the pearl glow. But then it wouldn't be your interpretation. Paul was a master silver printer. Last I heard he was still, "in the traditional darkroom with silver and chemistry."

    Thanks for posting. Location?

    Best,
    Merg

  2. #72
    Nicholas O. Lindan
    Join Date
    May 2006
    Location
    Cleveland, Ohio
    Posts
    465

    Re: Post your homage to another photographer (any format)

    Click image for larger version. 

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    Darkroom Automation / Cleveland Engineering Design, LLC
    f-Stop Timers & Enlarging meters http://www.darkroomautomation.com/da-main.htm

  3. #73

    Join Date
    Mar 2005
    Location
    Newbury, Vermont
    Posts
    2,292

    Re: Post your homage to another photographer (any format)

    Perfect! (jar #30?)

  4. #74

    Join Date
    Jul 2008
    Posts
    3,901

    Re: Post your homage to another photographer (any format)

    Click image for larger version. 

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    Guess who..


    The set up..
    Click image for larger version. 

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    Click image for larger version. 

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    Key light, 2600 watt/second into the snoot with grid, "fill" light via round soft box feathered, 1400 watt/second.
    Incident flashmeter reads f64.4 at the subject, exposure aperture F32 on the 9 1/2" Goerz APO artar, 1.5 f-stop bellows factor,
    13x18cm Agfa APX100 (now about ISO 50 & Rodinal),
    Compendium lens shade with curtain is mandatory due to the proximity of the lighting, Sinar P2 well "flexed"..

    December indoors,
    Bernice

  5. #75

    Join Date
    Apr 2015
    Location
    Purcellville, VA
    Posts
    1,796

    Re: Post your homage to another photographer (any format)

    Quote Originally Posted by John Layton View Post
    Perfect! (jar #30?)
    +1
    Philip Ulanowsky

    Sine scientia ars nihil est. (Without science/knowledge, art is nothing.)
    www.imagesinsilver.art
    https://www.flickr.com/photos/156933346@N07/

  6. #76

    Join Date
    Nov 2022
    Posts
    200

    Re: Post your homage to another photographer (any format)

    ++2 Bernice

  7. #77
    Martin Aislabie's Avatar
    Join Date
    Oct 2008
    Location
    Stratford-upon-Avon, England
    Posts
    796

    Re: Post your homage to another photographer (any format)

    Quote Originally Posted by Bernice Loui View Post
    Click image for larger version. 

Name:	For Camille.jpg 
Views:	59 
Size:	39.3 KB 
ID:	233856

    Click image for larger version. 

Name:	For Vicky.jpg 
Views:	53 
Size:	36.4 KB 
ID:	233857

    Guess who..


    The set up..
    Click image for larger version. 

Name:	Melon heart still life_sm.jpg 
Views:	48 
Size:	49.7 KB 
ID:	233859

    Click image for larger version. 

Name:	IMG_5476.jpg 
Views:	42 
Size:	52.5 KB 
ID:	233860

    Key light, 2600 watt/second into the snoot with grid, "fill" light via round soft box feathered, 1400 watt/second.
    Incident flashmeter reads f64.4 at the subject, exposure aperture F32 on the 9 1/2" Goerz APO artar, 1.5 f-stop bellows factor,
    13x18cm Agfa APX100 (now about ISO 50 & Rodinal),
    Compendium lens shade with curtain is mandatory due to the proximity of the lighting, Sinar P2 well "flexed"..

    December indoors,
    Bernice
    Bernice - that is a serious amount of lighting power for the shot.

    And, there was me thinking 2000Ws was a lot for a still life - it just shows you what we do and don't know.

    Martin

  8. #78

    Join Date
    Jul 2008
    Posts
    3,901

    Re: Post your homage to another photographer (any format)

    All relative, what is perceived as "serious amount of lighting power" was vastly common back in the days of studio centric sheet film image making.
    Majority of folks working with sheet film in studio doing product images which are much like still-life had several 4000watt/second or 3000watt/second power packs with several flash heads and a Boat Load of light modifiers and a pile of grip and lighting related Do-Dads..

    Alterative was to "multi-pop" which was also very, very common. That Minolta flash meter IV has a "multi" setting to meter the effective exposure f-stop after multi-pops from the strobe/flash. This was a common flash meter feature back in the day. Single was preferred, except single was not always an option.

    Once the subject and camera was set, most of the time spent was on lighting followed by pull-A-roids before any film was exposed.

    The two Elinchrom 3000AS power packs used for this setup..
    Click image for larger version. 

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    Kitty did a pose.
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    Bernice


    Quote Originally Posted by Martin Aislabie View Post
    Bernice - that is a serious amount of lighting power for the shot.

    And, there was me thinking 2000Ws was a lot for a still life - it just shows you what we do and don't know.

    Martin

  9. #79
    multiplex
    Join Date
    Feb 2001
    Location
    local
    Posts
    5,380

    Re: Post your homage to another photographer (any format)

    AW...(7x11negatves)
    Last edited by jnantz; 22-Dec-2022 at 06:28.

  10. #80

    Join Date
    May 2015
    Location
    SooooCal/LA USA
    Posts
    2,803

    Re: Post your homage to another photographer (any format)

    Quote Originally Posted by Bernice Loui View Post
    All relative, what is perceived as "serious amount of lighting power" was vastly common back in the days of studio centric sheet film image making.
    Majority of folks working with sheet film in studio doing product images which are much like still-life had several 4000watt/second or 3000watt/second power packs with several flash heads and a Boat Load of light modifiers and a pile of grip and lighting related Do-Dads..

    Alterative was to "multi-pop" which was also very, very common. That Minolta flash meter IV has a "multi" setting to meter the effective exposure f-stop after multi-pops from the strobe/flash. This was a common flash meter feature back in the day. Single was preferred, except single was not always an option.

    Once the subject and camera was set, most of the time spent was on lighting followed by pull-A-roids before any film was exposed.

    The two Elinchrom 3000AS power packs used for this setup..
    Click image for larger version. 

Name:	Elinchrom 3000AS, power setting_sm.jpg 
Views:	25 
Size:	48.4 KB 
ID:	233886

    Kitty did a pose.
    Click image for larger version. 

Name:	Krissy & melon_sm.jpg 
Views:	23 
Size:	55.1 KB 
ID:	233887


    Bernice
    Hope you got "Krissy" off the set before you popped the strobes, or that's one "scaredy kat" with a perm!!!

    Great set-up/result... Keep it up!!!

    Steve K

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