Deardorff 8x10; Dagor 9 1/2; HP5
John Youngblood
www.jyoungblood.com
Thompson Barn
4x5, 90mm Schneider Angulon, FP4
John Youngblood
www.jyoungblood.com
1965 T-Bird. This was a test with a new lens shot wide open. (New to me, actually from the 1930s.) It is a tad bit soft so would be better for portraits at f/5, but I didn't have any people around to test it on. At screen size the photo doesn't look as soft as it is. Gotta love 8x10 for that!
Kodak 8x10 2D, Hugo Meyer 240mm Doppel Anastigmat, Kodak Low Contrast Aerial Duplicating Film (SO-277)
Jonathan
Owls Head Transportation Museum event. Speed graphic and Reinhold Wallaston 190mm at f8. Foma 100 film in PMK.
You can see how the mixture of soft and sharp happens in this crop! The tach lettering is nice and sharp as is the right side of the wheel. As things go out of focus, the intensity of the fuzziness gets madder. Enjoy the glow of the polished trim and the bottom of the instrument panel! f8 is real nice on this lens for a mix of detail and glow. Overcast lighting.
Thanks John and jp498
John Youngblood
www.jyoungblood.com
A P-51 Mustang that was a performer at the Marine Corps Air Station Yuma Air Show this year. One of the perks of the job is all access at the air show. I had a great time talking to the crew. They were going to let me get in the cockpit for a photo, but my back was killing me so I passed for this year. I donated the digital proofing shots to the CAF for them to use as they saw fit.
Shot with a Pacemaker Speed Graphic with a 90mm f6.8 Rodenstock Grandagon
Kodak E100G (cross processed)
Contact printed on to Ilford MGVI Pearl paper
Dust sucks
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