Ubatuba, SP, Brazil
Tmax 100 - Linhof technika 36 por Denise Dognini, no Flickr
Negative scan
Linhof Technika III - Schneider Symmar MC 135mm - Kodak TMax 100 - Red Filter
Ubatuba, SP, Brazil
Tmax 100 - Linhof technika 36 por Denise Dognini, no Flickr
Negative scan
Linhof Technika III - Schneider Symmar MC 135mm - Kodak TMax 100 - Red Filter
Here is a couple i did thursday, 5x7 field camera 121 super angulon
on the way to benton falls by J. Golden, on Flickr
another view from chilhowee mt. by J. Golden, on Flickr
"WOW! Now thats a big camera. By the way, how many megapixels is that thing?"
Maybe not quite landscapes:
Xenar 210/6.1 HP5 Pyrocat
Xenar 150/5.6 FP4 Pyrocat
Cheers,
Luc
Field # ShenHao XPO45 - Monorail # Sinar P, F2[CENTER]6x6 # Minolta 1965 Autocord, 6x9 # Kodak 1946 Medalist II
I really like the second one, didn't even realise there was a dog in it until I looked at it again.
Thanks, Folker and Denise. I like the use of the red filter in your photograph, Denise - I carry one in my pack, but almost always seem to select the orange. I really ought to compare the straight colour filters against a yellow + polariser.
David, each time I look at that image,
I am sure I will never ever get my Sinar out of the box.
I never used it so far! I am afraid that I will never learn LF when I see this masterpiece of work.
Field # ShenHao XPO45 - Monorail # Sinar P, F2[CENTER]6x6 # Minolta 1965 Autocord, 6x9 # Kodak 1946 Medalist II
J. Golden,
Nice images. The first one, I see a nice visualization with cropping most of the foreground containing lower values. Then a slight crop of the top, which leaves roughly a square composition.
The second one is nice, and sort of feels like an image made with orthochromatic film. St. Ansel has a couple images in "The Negative" made with ortho film, and yours has a similar feeling for me.
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